Raúl Serrano: dialéctica y creación teatral
Abstract
Raúl Serrano estudioso de teatro, tiene una formación completamente diferente con respecto a la de los hombres de teatro argentino; es, con toda seguridad, la persona que más profunda y científicamente se ha dedicado al estudio de K. Stanislavskij en el ámbito del teatro de este país. La experiencia teatral adquirida en Europa influenciará profundamente sobre este autor en sus investigaciones, de tal modo que al regresar a su país de origen será profundamente crítico con respecto a la realidad stanislavskijana que vivía el teatro argentino en aquellos momentos. Recuerda Serrano que eran muchos los talleres donde cada maestro impartía lecciones siguiendo su propia interpretación del sistema. El panorama general se presentaba privo de coherencia y sistematicidad. El psicoanálisis, en aquellos años, reinaba en Argentina y la barrera que dividía la terapia y el teatro se presentaba por demás débil. Para Serrano el uso del instrumento del actor era utilizado para liberar las neurosis personales. Justamente esta falta de sistematicidad y esta interpretación psicoanalítica del trabajo del actor se encuentran en fuerte contraste con la formación prevalentemente sociológica de este estudioso argentino y por ende opuesta a una interpretación psicoanalítica.
Copyright (c) 2016 Ana Cecilia Prenz
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