RISM and Inventorying Early Music Manuscripts in Slovenia
Abstract
Since its inception, the project Répertoire International des Sources Musicales (RISM) has played a major role in the creation of an inventory of preserved early music heritage in Slovenia. This article presents the background and the current state of cooperation between Slovenian musicology and the RISM project, focusing on the latest additions to the online catalogue from the music collection of the Church of St Daniel in Celje.
Downloads
References
“10 Years of the RISM Online Catalog.” RISM. Accessed 12 September 2020. http://www.rism.info/en/home/newsdetails/select/rism_online_catalog/article/2/10-years-of-the-rism-online-catalog.html.
“History of the project.” RISM. Accessed 12 September 2020. http://www.rism.info/en/organisation/project-history.html.
“Muscat.” RISM. Accessed 12 September 2020. http://www.rism.info/community/muscat.html.
“Publications.” RISM. Accessed 12 September 2020. http://www.rism.info/publications.html.
Cvetko, Dragotin, ed. Report of the Tenth Congress of the International Musicological Society, Ljubljana 1967. Kassel: Bärenreiter, 1970.
Cvetko, Dragotin. Foreword to Glasbeni rokopisi in tiski na Slovenskem do leta 1800: katalog. [Music manuscripts and printed music in Slovenia before 1800: Catalogue] Ljubljana: Narodna in univerzitetna knjižnica, 1967.
Erjavec, Jana. “Glasbeni arhiv starejših rokopisov v cerkvi sv. Danijela v Celju.” [The Collection of Early Music Manuscripts at the Church of St Daniel in Celje] De musica disserenda 16, no. 2 (2020): 71–82. https://doi.org/10.3986/dmd16.2.04.
Frelih, Darja. “Katalogiziranje glasbenih virov za RISM v Sloveniji.” [Cataloguing for RISM in Slovenia] Muzikološki zbornik 38 (2002): 113–118. https://doi.org/10.4312/mz.38.1.113-118.
Grabnar, Klemen, and Metoda Kokole. “RISM in Slovenia in the Past Decade: Newly Catalogued Music Collections, Especially Early 17th-Century Choirbooks.” Paper presented at the RISM international conference Music Documentation in Libraries, Scholarship, and Practice, Mainz, Germany, June 2012. http://www.rism.info/fileadmin/content/community-content/events/RISM_Conference_2012/Grabnar.pdf.
Höfler, Janez, and Ivan Klemenčič. Glasbeni rokopisi in tiski na Slovenskem do leta 1800: katalog [Music manuscripts and printed music in Slovenia before 1800: Catalogue]. Ljubljana: Narodna in univerzitetna knjižnica, 1967.
Jeż, Tomasz. “Contrafacta of Operatic Arias among the Dominicans of Baroque Silesia.” De musica disserenda 11, no. 1–2 (2015): 147–162. https://doi.org/10.3986/dmd11.1-2.09.
Jochymczyk, Maciej, and Maksymilian Kapelański. “The Masses Of Francesco Perneckher in the Collection of the Pauline Monastery at Jasna Góra (Częstochowa): Problems of Attribution and Source Studies.” Fontes Artis Musicae 66, no. 2 (2019): 156–165. https://www.muse.jhu.edu/article/729951.
Jonášová, Milada. “Kontrafakturen in der Böhmischen Kirchenmusik des 18. Jahrhunderts.” Musicologica Brunensia 49, no. 2 (2014): 107–126. https://doi.org/10.5817/MB2014-2–8.
Keil, Klaus, and Jennifer A. Ward. “Applications of RISM data in digital libraries and digital musicology.” International Journal on Digital Libraries 20, no. 1 (2019): 3–12. https://doi.org/10.1007/s00799-016-0205-3.
Klemenčič, Ivan. “RISM v Sloveniji.” [RISM in Slovenia] Muzikološki zbornik 38 (2002): 105–112. https://doi.org/10.4312/mz.38.1.105-112.
Lesure, François. Écrits imprimés concernant la musique. 2 vols. Munich; Duisburg: G. Henle, 1971.
Lesure, François. Recueils imprimés: XVIe-XVIIe siècles; XVIIIe siècle. Munich; Duisburg: G. Henle, 1960–1964.
Markovič, Melanija. “Glasbeni arhiv starejših muzikalij v Stolni župniji sv. Janeza Krstnika v Mariboru.” [The Repertoire of the Old Music Collection in the St John the Baptist Cathedral of Maribor] Bachelor’s thesis, University of Ljubljana, 2016. https://repozitorij.uni-lj.si/IzpisGradiva.php?lang=slv&id=98014.
Pokorn, Danilo. “Glasbena zbirka opatijske cerkve sv. Danijela v Celju.” [The Music Collection in the Abbot Church of St Daniel’s, Celje] Muzikološki zbornik 25, no. 1 (1989): 107–120. https://doi.org/10.4312/mz.25.1.107-120.
Schlager, Karlheinz, and Otto E. Albrecht. Einzeldrucke vor 1800. 9 vols. Kassel: Bärenreiter, 1971–1999.
Slovenska akademija znanosti in umetnosti. Letopis: 1981 [Yearbook]. Vol. 32. Ljubljana: SAZU, 1982. http://www.dlib.si/?URN=URN:NBN:SI:doc-UZDUK5A4.
Tofetti, Marina, and Gabrielle Taschetti, eds. Contrafacta: Modes of Music Re-textualization in the Late Sixteenth and Seventeenth Century. Kraków: Musica Iagellonica, 2020.
Wagner, Undine. “Vom Dramma per Musica zur kirchenmusikalischen Praxis – Geistliche Kontrafakturen italienischer Opernarien in mährischen Klöstern und Kirchen.” Musicologica Brunensia 49, no. 2 (2014): 139–167. https://doi.org/10.5817/MB2014-2-10.
Copyright (c) 2020 Jana Erjavec
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors are confirming that they are the authors of the submitting article, which will be published (print and online) in journal Musicological Annual by Znanstvena založba Filozofske fakultete Univerze v Ljubljani (University of Ljubljana, Faculty of Arts, Aškerčeva 2, 1000 Ljubljana, Slovenia). Author’s name will be evident in the article in journal. All decisions regarding layout and distribution of the work are in hands of the publisher.
- Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
