Still on the Map?
Considering Regional Historiography of Music
Abstract
The paper aims to re-evaluate regionality as a key concept in musicology. After a short introduction to the topic, a case study on Salzburg is presented, followed by critical remarks on relevant literature and a summary that attempts to redefine the significance of regional and local developments within the discipline.
Downloads
References
Ammerer, Gerhard, and Rudolph Angermüller, eds. Salzburger Mozart-Lexikon. Bad Honnef: Bock, 2005.
Barbo, Matjaž. “New Wine in Old Wineskins, or: New Music on Old Instruments.” In Barockmusik: Diskurs zu einem Interpretationsprofil, edited by Thomas Hochradner, 239–253. Klang–reden: Schriften zur Musikalischen Interpretations- und Rezeptionsgeschichte 10. Freiburg i. Br.: Rombach Verlag, 2013.
Beard, David, and Kenneth Gloag, eds. Key concepts in musicology. 2nd ed. London: Routledge, 2016.
Bruhn, Herbert, and Helmut Rösing, eds. Musikwissenschaft: Ein Grundkurs. Reinbek b. Hamburg: Rowohlt, 1998.
Calella, Michele, and Nikolaus Urbanek, eds. Historische Musikwissenschaft: Grundlagen und Perspektiven. Stuttgart and Weimar: J. B. Metzler, 2013.
Haslinger, Sarah, (cooperation: Johanna Jastrinsky). Auf den Spuren der Salzburger Musikgeschichte. Museen, Archive & Bibliotheken, Sehenswürdigkeiten, Veranstaltungsorte und Spaziergänge in Salzburg. Salzburg: Universität Mozarteum Salzburg, 2019.
Janz, Bernhard. “Kirchenmusik am Würzburger Hof um 1800.” Kirchenmusikalisches Jahrbuch 92 (2008): 69‒81.
Petöczová, Janka. “Hudobnoregionalistický výskum na Slovensku z aspektu historickej muzikológie.” [Regional Musicological Research in Slovakia from the Aspect of Historical Musicology] Vedeský Časopis o Kultúre Regiónov na Slovensku [Scientific Journal of Regional Culture in Slovakia] 2 (2018): 1‒51.
Copyright (c) 2020 Thomas Hochradner

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors are confirming that they are the authors of the submitting article, which will be published (print and online) in journal Musicological Annual by Znanstvena založba Filozofske fakultete Univerze v Ljubljani (University of Ljubljana, Faculty of Arts, Aškerčeva 2, 1000 Ljubljana, Slovenia). Author’s name will be evident in the article in journal. All decisions regarding layout and distribution of the work are in hands of the publisher.
- Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.