Aesthetic Perception of the Singing Voice in Relation to the Acoustic Conditions

Authors

  • Zoran Potočan

DOI:

https://doi.org/10.4312/mz.56.1.279-284

Keywords:

timbre, solo singing voices, audio recordings, acoustic conditions of performance spaces

Abstract

The subject of study is the analysis of the timbre of solo singing voices in audio recordings depending on the acoustic conditions of the performance spaces. Halls in which live music is performed without additional sound system differ from each other, both in terms of functionality and in terms of physical and acoustic characteristics. Different spatial conditions affect the listener as well as the music performer. At the same time, they are both adapting to some extent. Listener with perception, and the singer, at times, with the mode of phonation.

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Published

30.06.2020

How to Cite

Potočan, Z. (2020). Aesthetic Perception of the Singing Voice in Relation to the Acoustic Conditions. Musicological Annual, 56(1), 279–284. https://doi.org/10.4312/mz.56.1.279-284

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Section

Dissertations