The Joropo in Venezuela’s Musical Modernity: Cultural Capital in José Clemente Laya’s Sonata Venezolana
The Venezuelan Escuela Nacional Moderna (1930s–40s) considered the joropo folk dance an inherently rich musical expression that demanded the spotlight of artistic autonomy. José Clemente Laya’s Sonata venezolana (1946) demonstrates how these composers transformed the framework of sonata form with the joropo’s musical presence.
Copyright (c) 2016 Ludim Rebeca Pedroza
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