From Neutrality to Praxis: The Shifting Politics of Ethnomusicology in the Contemporary World

  • Samuel Araújo School of Arts, Universidad Federal de Rio de Janeiro

Abstract

Reflecting upon recent changes in socio-scientific paradigms and thinking over his own research ex- perience with musical communities in Brazil, the researcher presents four case studies in which he finds evidence of a considerable transformation of research scenarios toward growing and more politically charged demands placed by communi- ties upon academics. 

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Published
2008-12-01
How to Cite
AraújoS. (2008). From Neutrality to Praxis: The Shifting Politics of Ethnomusicology in the Contemporary World. Musicological Annual, 44(1), 13-30. https://doi.org/10.4312/mz.44.1.13-30
Section
Articles