Looking for coordinates. A challenge for research in reception and interpretation of music

  • Thomas Hochradner Univerza za glasbo in dramske umetnosti Mozarteum
Keywords: starting points for research into the history of reception and interpretation of music – a system of coordinates as a point of departure – the problem of authenticity as a case study

Abstract

Research in reception of music usually tends to case studies or tabular forms, whereas studies in interpretation of music often are questioned with regard to the imponderabilities of technical conditions and optional revisions of sound recordings. As a lack of consciousness in respect to referential systems seems to be the starting point of the problem, the following paper suggests a basic model which is able to deal with music in all its written and sonorous manifestations.

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Author Biography

Thomas Hochradner, Univerza za glasbo in dramske umetnosti Mozarteum
Thomas HOCHRADNER, docent za zgodovinsko muzikologijo, je zaposlen na Univerzi za glasbo Mozarteum v Salzburgu. Je član Instituta za recepcijo in interpretacijo glasbe in njegov prvi direktor. V svojih predavanjih in objavah se večinoma ukvarja z zgodovino glasbe od 17. do 20. stoletja, zlasti v zvezi z glasbeno filologijo, zgodovino recepcije v glasbi, baročni in tradicionalni glasbi. Je avtor številnih člankov in urednik več knjig.
Published
2013-12-01
How to Cite
HochradnerT. (2013). Looking for coordinates. A challenge for research in reception and interpretation of music. Musicological Annual, 49(2), 11-22. https://doi.org/10.4312/mz.49.2.11-22
Section
Articles