An Epistemological Interpretation of Ji Kang's Essay »Music has in It Neither Grief nor Joy«

Authors

  • Jana S. Rošker Univerza v Ljubljani, Filozofska fakulteta

DOI:

https://doi.org/10.4312/mz.46.1.81-96

Keywords:

Chinese theory of music, Chinese philosophy, Ji Kang, epistemology of music

Abstract

The present article draws attention to a new interpretation of Ji Kang's (223–262) theory of music, which is based upon his understanding of epistemological bases of perception. The analyses shows that his understanding has been founded upon the structural connection between the subject and the object of comprehension.

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Author Biography

Jana S. Rošker, Univerza v Ljubljani, Filozofska fakulteta

Jana S. ROŠKER (jana.rosker@guest.arnes.si), sinologinja, redna profesorica in pred- stojnica Oddelka za azijske in afriške študije na Filozofski fakulteti Univerze v Ljubljani. Raziskovalna področja: kitajska filozofija, tradicionalna in sodobna kitajska epistemolog- ija, metodologija medkulturnih raziskav, semantični razvoji klasične kitajščine.

Published

01.06.2010

How to Cite

Rošker, J. S. (2010). An Epistemological Interpretation of Ji Kang’s Essay »Music has in It Neither Grief nor Joy«. Musicological Annual, 46(1), 81–96. https://doi.org/10.4312/mz.46.1.81-96

Issue

Section

Articles