Slovene Electroacoustic Music and Sound Art

Authors

  • Primož Trdan

DOI:

https://doi.org/10.4312/mz.57.1.291-294

Keywords:

aesthetics of music, ontology of music, phonography

Abstract

Neither electroacoustic music nor sound art, in a Slovene cultural context, have been the subject of comprehensive musicological research. There is, therefore, a need for basic research and reflection on the subject itself, as electroacoustic music discourse in general notably demonstrates some sustained interpretational patterns, the most common being the technological bases which supposedly gave rise to predominant styles and aesthetics.

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Published

05.07.2021

How to Cite

Trdan, P. (2021). Slovene Electroacoustic Music and Sound Art. Musicological Annual, 57(1), 291–294. https://doi.org/10.4312/mz.57.1.291-294

Issue

Section

Dissertations