Browse Title Index


 
Issue Title
 
Vol 13, No 1 (1977) Die Engel mit Musikinstrumenten aus Rateče Abstract   PDF (Deutsch)
Primož Kuret
 
Vol 42, No 1 (2006) „Ohne Anfang, ohne Ende, ohne Mitte“ – Gedanken zum Verhältnis von Sprache und Musik in Hans Zenders Shir hashirim Abstract   PDF (Deutsch)
Peter Revers
 
Vol 52, No 1 (2016) »ČAS SEM, KI ODHAJA ...« V spomin na Katarino Bedina Abstract
Marija Bergamo
 
Vol 46, No 1 (2010) 'B-Composers' or: How can you become a 'Kleinmeister'? Abstract   PDF (Slovenščina)
Thomas Hochradner
 
Vol 45, No 2 (2009) 'Brillantes Labyrinth': Die Psychoanalyse, die deutsche Musikwissenschaft und Lacans Schlüssel zur Musik Abstract   PDF (Slovenščina)
Christian Bielefeldt
 
Vol 40, No 1&2 (2004) 'Italian Opera' in 'Central Europe', 1600–1780: Research Trends and the Geographic Imagination Abstract   PDF
Reinhard Strohm
 
Vol 45, No 1 (2009) 'Slovenian Music History' or 'History of Music in Slovenia'? With respect to the Role of Czech Musicians in Musical Culture in Slovenia in the 19th and the beginning of the 20th century Abstract   PDF (Slovenščina)
Jernej Weiss
 
Vol 6, No 1 (1970) A Bibliographic Survey of the Compositions of Slavko Osterc Abstract   PDF (Slovenščina)
Danilo Pokorn
 
Vol 43, No 2 (2007) A Capricious Aspect of a Haydn Quartet: Parallels Linking Musical Phrasing to Italian Poetic Theory Abstract   PDF
Sven H. Hansell
 
Vol 27, No 1 (1991) A Contribution to the Question of the Centre-Oriented Thinking in West-European Music Abstract   PDF (Hrvatski)
Nataša Kričevcov
 
Vol 6, No 1 (1970) A Contribution to the Study of Jacobus Gallus Handl's Relationship to Prague Abstract   PDF (Slovenščina)
Jitka Snížková
 
Vol 4, No 1 (1968) A Contribution to the Study of the Beginnings of the Orthodox Slavonic Musical Culture Abstract   PDF (Slovenščina)
Dimitrije Stefanović
 
Vol 34, No 1 (1998) A Contribution Towards the Dating of Manuscripts of Compositions by Jakob Frančišek Zupan Abstract   PDF (Slovenščina)
Radovan Škrjanc
 
Vol 45, No 2 (2009) A (Dis)Pleasure of Influence: George Rochberg's Caprice Variations for Unaccompanied Violin (1973) Abstract   PDF (Slovenščina)
David Schwarz
 
Vol 32, No 1 (1996) A Draft of the Statute of the "Pro musica viva" Group as an Attempt to Determine Its Aesthetic Co-ordinates Abstract   PDF (Slovenščina)
Matjaž Barbo
 
Vol 38, No 1 (2002) A Few Attempts at Understanding Postmodernism as a Musical Style Abstract   PDF (Slovenščina)
Gregor Pompe
 
Vol 4, No 1 (1968) A Forgotten Nocturne of Ferdo Livadić Abstract   PDF (Slovenščina)
Josip Andreis
 
Vol 43, No 2 (2007) A Fragment on the Emotion, “Mathesis” and Time Dimension of the Purely Musical. Marginalia with Prelude to the Afternoon of a Faun by Claude Debussy Abstract   PDF (Slovenščina)
Tijana Popović Mladjenović
 
Vol 42, No 2 (2006) A Fragment to the Genre of the Piano Piece: Its ‘Real’ Beginning in the Slovene Musical Literature? Abstract   PDF
Katarina Bogunović Hočevar
 
Vol 47, No 1 (2011) A House like a 'Musical Instrument':Impulses from the Unbuilt Performative Architectural Project of the 'Contemporary Opera Berlin' and the Architectural Firm 'GKK' in Berlin 2001 Abstract   PDF (Slovenščina)
Simone Heilgendorff
 
Vol 17, No 2 (1981) A Look at Lucijan Marija Škerjanc's 1st Symphony Abstract   PDF (Slovenščina)
Monika Kartin-Duh
 
Vol 2, No 1 (1966) A Mensural Fragment from the Archiepiscopal Archives in Ljubljana Abstract   PDF (Slovenščina)
Janez Höfler
 
Vol 38, No 1 (2002) A Musical Work and Its Performances Abstract   PDF (Slovenščina)
Jurij Snoj
 
Vol 43, No 1 (2007) A Note from the Editors - Essays in Honour of Andrej Rijavec Abstract   PDF (Slovenščina)
prijatelji, kolegi in študenti
 
Vol 43, No 2 (2007) A Note from the Editors - Rationalism of a magic tinge: music as a form of abstract perception Abstract   PDF (Slovenščina)
Leon Stefanija in Katarina Bogunović Hočevar
 
Vol 36, No 1 (2000) A Question of Style in the Compositions of Jakob Frančišek Zupan Abstract   PDF (Slovenščina)
Radovan Škrjanc
 
Vol 36, No 1 (2000) A Question of the Stylistic Definition of Compositions – an Attempt at this Consideration through an Example of the Church Music of Jakob F. Zupan (I) Abstract   PDF (Slovenščina)
Radovan Škrjanc
 
Vol 47, No 1 (2011) A Return to Old Techniques in Recent Concertos by Ivo Petrić Abstract   PDF (Slovenščina)
Niall O'Loughlin
 
Vol 43, No 1 (2007) A Sacred Bridge or an Unsteady Pontoon? – Some Communication Problems Between Philosophers and Musicians Abstract   PDF (Slovenščina)
Bojan Bujić
 
Vol 48, No 2 (2012) A Send-Off to the Volume Details
Lojze Lebič
 
Vol 2, No 1 (1966) A Styrian Provincial Trumpeter – Jakob Globočnik Abstract   PDF (Slovenščina)
Primož Kuret
 
Vol 47, No 1 (2011) Aci Bertoncelj through Journalistic Eyes Abstract   PDF (Slovenščina)
Nina Gala Kušej
 
Vol 44, No 1 (2008) Activism in Southeast Asian Ethnomusicology: Empowering Youths to Revitalize Traditions and Bridge Cultural Barriers Abstract   PDF
Sooi Beng Tan
 
Vol 41, No 1 (2005) Adorno as Critics – Mozart, Wagner and Strauss in the Light of the Aesthetic Theory Abstract   PDF
Susanne Kogler
 
Vol 41, No 1 (2005) All »Slovene Turtledove« (Slovenske Gerlice) Abstract   PDF (Slovenščina)
Edo Škulj
 
Vol 23, No 1 (1987) Alleluias of the Paschal Time in the Medieval Manuscripts of Ljubljana Abstract   PDF (Slovenščina)
Jurij Snoj
 
Vol 32, No 1 (1996) Allen Forte: Questions Regarding the Analytic Method of Set Theory Abstract   PDF (Slovenščina)
Leon Stefanija
 
Vol 20, No 1 (1984) Alois Hába heute Abstract   PDF (Deutsch)
Jiří Vysloužil
 
Vol 26, No 1 (1990) Alojz Srebotnjak's Use of Twelve-Note Techniques Abstract   PDF
Niall O'Loughlin
 
Vol 13, No 1 (1977) Amandus Ivančič and His Secular Compositional Output Abstract   PDF (Slovenščina)
Danilo Pokorn
 
Vol 6, No 1 (1970) An Acoustic Study of the Jew's Harp Abstract   PDF (Slovenščina)
Bruno Ravnikar
 
Vol 43, No 2 (2007) An Attempt at the Etymological Analysis of Music Abstract   PDF (Slovenščina)
Ina Barsova
 
Vol 12, No 1 (1976) An Early Croat Translation of Rinuccini's »Euridice« Abstract   PDF
Bojan Bujić
 
Vol 46, No 1 (2010) An Epistemological Interpretation of Ji Kang's Essay »Music has in It Neither Grief nor Joy« Abstract   PDF (Slovenščina)
Jana S. Rošker
 
Vol 5, No 1 (1969) An Example of Primitive Medieval Polyphony from Kranj Abstract   PDF (Slovenščina)
Janez Höfler
 
Vol 16, No 1 (1980) An Example of Šturm's Treatment of Baroque Form Abstract   PDF (Slovenščina)
Katarina Bedina
 
Vol 32, No 1 (1996) An Introduction to the Musical Activity of Reading-Rooms in Slovenia Abstract   PDF (Slovenščina)
Nataša Cigoj Krstulović
 
Vol 25, No 1 (1989) An Outline of the Life of Croatia's Musician Ivo Prišlin (1902–1941) as a Composer Abstract   PDF (Hrvatski)
Lovro Županović
 
Vol 30, No 1 (1994) An Unconsidered Source for Understanding the Cecilian Movement in Slovenia: Polemic Stands of Stanislav Škrabec Abstract   PDF (Slovenščina)
Katarina Bedina
 
Vol 36, No 1 (2000) An Understanding of the »Old« and the »New« in Contemporary Slovene Music Abstract   PDF (Slovenščina)
Leon Stefanija
 
Vol 4, No 1 (1968) An unknown Autograph of Gallus? Abstract   PDF (Slovenščina)
Werner Braun
 
Vol 52, No 1 (2016) Analysis of the Timbre of High and Middle Voiced Male Singing Voices in Historical Recordings Abstract
Zoran Potočan
 
Vol 50, No 1 (2014) Analyzing Musical Terminology in Slovene Music Textbooks up until the End of World War II: a case study of the term “note” and some other related terms Abstract
Jelena Grazio
 
Vol 51, No 1 (2015) Ancient Music in the Aesthetic Theory of Eduard Hanslick Abstract
Jurij Snoj
 
Vol 7, No 1 (1971) Andreas, the Town Musician from Ljubljana (circa 1472) Abstract   PDF (Slovenščina)
Ferdo Gestrin
 
Vol 5, No 1 (1969) Angels with Musical Instruments at Mirna na Dolenjskem Abstract   PDF (Slovenščina)
Primož Kuret
 
Vol 21, No 1 (1985) Animal Pictures in Gallus' Moralia Abstract   PDF (Slovenščina)
Danilo Pokorn
 
Vol 23, No 1 (1987) Annotations to My Piece "Hallo! Do you hear me?" Abstract   PDF (Slovenščina)
Vinko Globokar
 
Vol 11, No 1 (1975) Antoine Reicha, ami de jeunesse de L. van Beethoven Abstract   PDF (Français (France))
Jiří Vysloužil
 
Vol 32, No 1 (1996) Anton Lajovic as Regular Critic of "Novi akordi" (New Chords) Abstract   PDF (Slovenščina)
Simona Moličnik Šivic
 
Vol 42, No 1 (2006) Antonio Banfi and His School of Thinking in Contemporary Musical Aesthetics Abstract   PDF (Slovenščina)
Luisa Antoni
 
Vol 30, No 1 (1994) Antonio Tarsia: An Analysis of Style and Function in His Work Abstract   PDF (Hrvatski)
Ennio Stipčević
 
Vol 11, No 1 (1975) Appariran per me le stell'in cielo Orlanda di Lassa in Julija Skjavetića. Stilno-kritična primerjava Abstract   PDF (Deutsch)
Koraljka Kos
 
Vol 44, No 1 (2008) Applied Ethnomusicology and Empowerment Strategies: Views from across the Atlantic Abstract   PDF
Svanibor Pettan
 
Vol 49, No 1 (2013) Approach the People – Music for the People: the interdependence of music and ideology, exemplified in the musical life in Pula from 1926 to 1952 Abstract
Lada Duraković
 
Vol 37, No 1 (2001) Aristotle's Philosophy of Music Abstract   PDF (Slovenščina)
Valentin Kalan
 
Vol 9, No 1 (1973) Arrangements of Polish Folk Songs by Ludwig van Beethoven Abstract   PDF (Slovenščina)
Zofia Lissa
 
Vol 43, No 2 (2007) Art as a Critique of Language: On the Continuity of the Tradition of the Avant-Garde Aesthetic in the Modern and the Postmodern Abstract   PDF (Slovenščina)
Susanne Kogler
 
Vol 47, No 1 (2011) Art Music in Serbia as a Political Tool and/or Refuge During the 1990s Abstract   PDF (Slovenščina)
Melita Milin
 
Vol 45, No 1 (2009) Artistic Decor of Baroque Organs: Johann Frančišek Janeček and His Decoration of Organ Cases Abstract   PDF (Slovenščina)
Darja Koter
 
Vol 52, No 1 (2016) Aspects of Slovenian musicians’ activity in the musical life of Austro-Hungarian Sarajevo (1878–1918) Abstract
Lana Paćuka
 
Vol 40, No 1&2 (2004) Aspekte der Überlieferung von Mensuralmusik in Zentraleuropa während des 15. Jahrhunderts Abstract   PDF (Deutsch)
Bernhold Schmid
 
Vol 47, No 2 (2011) Ausstattung, Verbreitung und Verwendung von besaiteten Tasteninstrumenten mit Pedal Abstract   PDF (Slovenščina)
Christian Ahrens
 
Vol 48, No 2 (2012) Babette: Diaries by Savin’s Mother Barbara širca, neé Žuža, Published by the Institution for Culture, Sport and Tourism Žalec (2009) Details
Uroš Govek
 
Vol 1, No 1 (1965) Bach Trumpet Abstract   PDF (Slovenščina)
Marijan Lipovšek
 
Vol 33, No 1 (1997) Bachs's Cantata No. 140 and The Tradition of the Alba Abstract   PDF
David Greer
 
Vol 52, No 2 (2016): Marking the 70th Anniversary of ICTM and 20th Anniversary of CES Folk Slovenia. Music, Sound and Ecology Bali Healing Ritual in Sri Lanka from a Medical Ethnomusicology Perspective Abstract
Lasanthi Manaranjanie Kalinga Dona
 
Vol 50, No 1 (2014) Balkan Music Industries Between Europeanisation and Regionalisation: Balkan Music Awards Abstract
Ana Hofman
 
Vol 11, No 1 (1975) Balkan Travelogues from the 15th to the 18th Century as Sources for the History of Music: Polk Music and Customs Abstract   PDF (Slovenščina)
Danica Petrović
 
Vol 48, No 2 (2012) Ballet Music by Risto Savin Abstract
Henrik Neubauer
 
Vol 51, No 2 (2015) Beethoven und der Fortschrittsgedanke Abstract
Helmut Loos
 
Vol 21, No 1 (1985) Beginnings of Musical Expressionism in Slovenia Abstract   PDF (Slovenščina)
Ivan Klemenčič
 
Vol 35, No 1 (1999) Beispiele der Theoriebildung in der Musikwissenschaft Abstract   PDF (Deutsch)
Dalibor Davidović
 
Vol 17, No 1 (1981) Belgrade as Subject of Musical Compositions Abstract   PDF
Miloš Velimirović
 
Vol 16, No 1 (1980) Bemerkungen zu Gustav Mahler's Kindertotenliedern – dargestellt am Beispiel des zweiten Abstract   PDF (Deutsch)
Volker Kalisch
 
Vol 13, No 1 (1977) Bemerkungen zu Gustav Mahlers Liedern Abstract   PDF (Deutsch)
Kurt v. Fischer
 
Vol 33, No 1 (1997) Between Bioacoustics and Music Abstract   PDF (Slovenščina)
Matija Gogala
 
Vol 46, No 2 (2010) Between Feeling and Reason: towards the History and the Significance of the Waltz for Piano in 19th Century Slovenia Abstract   PDF (Slovenščina)
Nataša Cigoj Krstulović
 
Vol 48, No 2 (2012) Between the Homeland and the Wider World: Songs for Voice and Piano by Risto Savin Abstract
Aleš Nagode
 
Vol 42, No 1 (2006) Beyond Postmodernism? Prince and Some New Aesthetic Strategies Abstract   PDF
Christian Bielefeldt
 
Vol 14, No 1 (1978) Bibliographical Data of the Compositions by Franc Šturm Abstract   PDF (Slovenščina)
Katarina Bedina
 
Vol 43, No 1 (2007) Bibliography of Andrej Rijavec Abstract   PDF (Slovenščina)
Zoran Krstulović
 
Vol 25, No 1 (1989) Bibliography of Articles I–XXV Abstract   PDF (Slovenščina)
Darja Frelih
 
Vol 46, No 2 (2010) Bibliography of Katarina Bedina Details   PDF (Slovenščina)
Aleš Nagode
 
Vol 29, No 1 (1993) Bibliography of Marij Kogoj Abstract   PDF (Slovenščina)
Borut Loparnik & Zoran Krstulović
 
Vol 43, No 2 (2007) Bibliography of Marija Bergamo Abstract   PDF (Slovenščina)
Zoran Krstulović
 
Vol 51, No 1 (2015) Bibliography of Musicological annual 1965–2014 Abstract
Zoran Krstulović
 
Vol 27, No 1 (1991) Bibliography of Scientific and Journalistic Works of the Academician Dragotin Cvetko Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 31, No 1 (1995) Bibliography On Slavko Osterc Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 37, No 1 (2001) Boulez's rational serial organization and Cage's chance – equality of diversity Abstract   PDF (Slovenščina)
Gregor Pompe
 
Vol 50, No 1 (2014) Božidar Kos: String Quartet Abstract
Tjaša Ribizel
 
Vol 51, No 2 (2015) Branches Abstract
Dalibor Davidović
 
Vol 47, No 2 (2011) Buxtehude's Pedaliter Keyboard Works: Organ or Pedal Clavichord? Abstract   PDF (Slovenščina)
Kerala J. Snyder
 
Vol 45, No 2 (2009) C Major or E Flat Minor? No, Thanks! Busoni's Faust-Allegorie Abstract   PDF (Slovenščina)
Slavoj Žižek
 
Vol 48, No 2 (2012) Catalogue of Works by Friderik širca – Risto Savin (1859–1948) Discography of Works by Friderik širca – Risto Savin (1859–1948) Details
Suzana Ograjenšek
 
Vol 38, No 1 (2002) Cataloguing for RISM in Slovenia Abstract   PDF (Slovenščina)
Darja Frelih
 
Vol 34, No 1 (1998) Cecilianism in Slovenia as a Musical, Cultural, and Social Issue Abstract   PDF (Slovenščina)
Aleš Nagode
 
Vol 40, No 1&2 (2004) Central Europe in the Sixteenth Century: A Musical Melting Pot Abstract   PDF
Lilian P. Pruett
 
Vol 10, No 1 (1974) Chamber Compositions of Srečko Koporc Abstract   PDF (Slovenščina)
Roman Leskovic
 
Vol 17, No 1 (1981) Chamber Music in the 20th Century – Cultural and Compositional Crisis of a Genre Abstract   PDF (Hrvatski)
Bojan Bujić
 
Vol 24, No 1 (1988) Characteristics of Musical Material, Syntax and Structural Order in F. B. Dusík's Symphony in C Major as Criteria of Stylistic Determination and Evaluation Abstract   PDF (Slovenščina)
Marija Bergamo
 
Vol 51, No 2 (2015) Characterization in the Operas of Penderecki Abstract
Niall O’Loughlin
 
Vol 6, No 1 (1970) Choral Compositions of Slavko Osterc Abstract   PDF (Slovenščina)
Tomaž Šegula
 
Vol 19, No 1 (1983) Composer Avgust Armin Leban (1847-1879) in the Materials for the Biographic and Musicographic Lexicon of Franjo Kuhač Abstract   PDF (Hrvatski)
Dubravka Franković
 
Vol 48, No 1 (2012) Composers and Audiences between High and Popular Culture: Towards a Theory and History of Social Reception of Opera Abstract
Vlado Kotnik
 
Vol 13, No 1 (1977) Compositional Concept of Marijan Lipovšek's Rhapsodies Abstract   PDF (Slovenščina)
Monika Kartin-Duh
 
Vol 37, No 1 (2001) Compositional practice in Slovenian instrumental music of the last quarter of the 20th century Abstract   PDF (Slovenščina)
Leon Stefanija
 
Vol 29, No 1 (1993) Compositional Technique in Leopold Ferdinand Schwerdt's Festive Masses Abstract   PDF (Slovenščina)
Zoran Krstulović
 
Vol 6, No 1 (1970) Concerning the Tonality and Harmony in the Compositions of Slavko Osterc Abstract   PDF (Slovenščina)
Andrej Rijavec
 
Vol 37, No 1 (2001) Concertante techniques in Trois images by Ivo Petrić Abstract   PDF
Niall O'Loughlin
 
Vol 51, No 1 (2015) Concerto abbreviatoby Petar Bergamo (1966) Abstract
Leon Stefanija
 
Vol 47, No 1 (2011) Concerts of the Philharmonic Society from 1794 to 1872 Abstract   PDF (Slovenščina)
Sara Železnik
 
Vol 43, No 2 (2007) Constituting Neoclassicism in Serbia or: How and Why Neoclassicism Can Be Understood as Modernism – a Study of Ristić’s Second Symphony Abstract   PDF (Slovenščina)
Vesna Mikić
 
Vol 22, No 1 (1986) Contacts between Slavko Osterc and Miloje Milojević Abstract   PDF (Slovenščina)
Dragotin Cvetko
 
Vol 48, No 1 (2012) Contemporary Istrian composers at the turn of the 21st century and the role of their music in regional tourism Details
Ivana Gortan-Carlin
 
Vol 39, No 1 (2003) Contemporary Slovene Compositional Practice and Musicology Abstract   PDF (Slovenščina)
Gregor Pompe
 
Vol 42, No 1 (2006) Contribution of Czech Musicians to the Serbian Music in the 19th Century Abstract   PDF
Katarina Tomašević
 
Vol 43, No 1 (2007) Contribution to the Credibility of Data Concerning the Foundation of Reading Societies in Slovenia Abstract   PDF (Slovenščina)
Manica Špendal
 
Vol 45, No 2 (2009) Convolutions of musical meaning - a sociopsychological note on listening to music Abstract   PDF (Slovenščina)
Leon Stefanija
 
Vol 51, No 2 (2015) Creation, Transmission and Performance: Guslars in Bosnia and Herzegovina Abstract
Jasmina Talam
 
Vol 41, No 2 (2005) Critical Questiones About Deconstrution or About De-Centring Of The Relation Between Philosophy And Music Abstract   PDF
Miško Šuvaković
 
Vol 51, No 2 (2015) Cultural isolation of Yugoslavia 1944–1960 and its impact on the sphere of music: the case of Serbia Abstract
Melita Milin
 
Vol 47, No 1 (2011) Dancing masters of the Carnolian Provincial Estates in the 18th and 19th Century Abstract   PDF (Slovenščina)
Lidija Podlesnik Tomášiková
 
Vol 16, No 1 (1980) Daniel Lagkhner's Collection »Soboles musica« (Nuremberg 1602) Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 15, No 1 (1979) Das Byzantinische Konzert für Klavier und Orchester von Ljubica Marić Abstract   PDF (Deutsch)
Jelena Milojković-Djurić
 
Vol 40, No 1&2 (2004) Das Sacrum Imperium Romanum als höfischer Musikraum Abstract   PDF (Deutsch)
Elisabeth Th. Fritz
 
Vol 42, No 2 (2006) Davorin Jenko’s Contribution to the Slovene Song Abstract   PDF (Slovenščina)
Borut Smrekar
 
Vol 41, No 2 (2005) Deconstructing voice Abstract   PDF
Mladen Dolar
 
Vol 52, No 2 (2016): Marking the 70th Anniversary of ICTM and 20th Anniversary of CES Folk Slovenia. Music, Sound and Ecology Defining Nostalgic Musicscape: Starogradska muzika in Skadarlija (Belgrade) as Sound Environment Abstract
Marija Dumnić
 
Vol 40, No 1&2 (2004) Der Einfluß der slowenischen Jesuiten auf die musikalischen Zustände in Mitteleuropa im 17. Jahrhundert Abstract   PDF (Deutsch)
Tomaž Faganel
 
Vol 51, No 2 (2015) Der slawische Anteil am Bestand des Blasmusikarchives der Universität für Musik und darstellende Kunst in Graz Abstract
Engelbert Logar
 
Vol 47, No 2 (2011) Deutsche Tabulatur: gebreuchlich oder verdrießlich? Abstract   PDF (Slovenščina)
Marko Motnik
 
Vol 22, No 1 (1986) Development of Musical Language and Style between 1945 and 1980 Abstract   PDF
Jarmila Doubravová
 
Vol 46, No 2 (2010) Development of the Theatre and Opera director's Profile in Slovenia Between the Two Wars Abstract   PDF (Slovenščina)
Darja Koter
 
Vol 18, No 1 (1982) Die Anfänge des deutschsprachigen Musiktheaters in Graz zwischen Publikumsnähe und Aufklärung Abstract   PDF (Slovenščina)
Rudolf Flotzinger
 
Vol 50, No 2 (2014) Die christlichen und antichristlichen Elemente in der Musik von BLACK SABBATH (1970–1973) Abstract
Charris Efthimiou
 
Vol 40, No 1&2 (2004) Die Darstellung Mitteleuropas in der slowenischen Literatur Abstract   PDF (Deutsch)
Lado Kralj
 
Vol 50, No 2 (2014) Die kunstreligiöse Botschaft der Leipziger Musikwissenschaft im späten 19. und frühen 20. Jahrhundert Abstract
Helmut Loos
 
Vol 47, No 2 (2011) Die norddeutsche Choralbearbeitung - rein funktionale Musik? Abstract   PDF (Slovenščina)
Michael Belotti
 
Vol 47, No 2 (2011) Die "Norddeutsche Orgelschule" - Wege und Irrwege in Forschung und Rezeption Abstract   PDF (Slovenščina)
Katharina Larissa Paech
 
Vol 40, No 1&2 (2004) Die Rolle des mitteleuropäischen Raumes in der Entwicklung der slowenischen Kirchenmusik des 19. Jahrhunderts Abstract   PDF (Deutsch)
Aleš Nagode
 
Vol 40, No 1&2 (2004) Die Slowenen im Mitteleuropa seit dem 13. Jahrhundert Abstract   PDF (Deutsch)
Vincenc Rajšp
 
Vol 29, No 1 (1993) Die städtische und ländliche Dimension der Musikkultur Mährens (und zum Teil Österreichisch-Schlesiens) Abstract   PDF (Deutsch)
Jiří Fukač
 
Vol 45, No 2 (2009) Die unbewusste Sinnebene in Mozarts Oper Idomeneo Abstract   PDF (Slovenščina)
Bernd Oberhoff
 
Vol 24, No 1 (1988) Die „Grande Serenade“ von L. F. Schwerdt unter den Nachfolgekompositionen von Beethovens Septett op. 20. Zum Verhältnis Klassik-Klassizismus in der musikalischen Kompositionen nach 1800 Abstract   PDF (Deutsch)
Arnold Feil
 
Vol 14, No 1 (1978) Dimensions of Darijan Božič's Creativity Abstract   PDF (Slovenščina)
Andrej Rijavec
 
Vol 2, No 1 (1966) Donizetti's Operas in the Ljubljana Theatre before 1861 Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 29, No 1 (1993) Dragotin Cvetko 1911 - 1993 Abstract   PDF (Slovenščina)
Uredniški odbor
 
Vol 26, No 1 (1990) Dušan Stular. On the Occasion of His 90th Birthday Abstract   PDF (Slovenščina)
Dušan Mihalek
 
Vol 17, No 2 (1981) Early Forms of Musical Mass-Culture and the Musical Publishing Abstract   PDF (Hrvatski)
Ivo Supičić
 
Vol 21, No 1 (1985) "Ecce, quomodo moritur justus" by J. Gallus and by Some of His Contemporaries Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 46, No 1 (2010) Echoes of European Tendencies in the Creativity of Janko Ravnik Details   PDF (Slovenščina)
Katarina Bogunović Hočevar
 
Vol 17, No 2 (1981) Echoes of Josip Murn-Aleksandrov's Poetry in Slovene Music Abstract   PDF (Slovenščina)
Danilo Pokorn
 
Vol 39, No 1 (2003) Editorial Note and Introductory Words Abstract   PDF (Slovenščina)
Matjaž Barbo
 
Vol 51, No 2 (2015) Einem Wunder auf der Spur: Die Mozarts und das Misererevon Gregorio Allegri Abstract
Thomas Hochradner
 
Vol 47, No 2 (2011) "Einen guten Flügel und auch ein gutes Clavicord haben": some reflections on the importance of keyboard-instrument landscapes Abstract   PDF (Slovenščina)
Joel Speerstra
 
Vol 17, No 1 (1981) Einige Gedanken zur Tonartenordnung in Schuberts Liederzyklen Abstract   PDF (Deutsch)
Kurt von Fischer
 
Vol 5, No 1 (1969) Elements of Melodic Diction in the Children's Songs of Kogoj Abstract   PDF (Slovenščina)
Borut Loparnik
 
Vol 20, No 1 (1984) Eli, eli, lamma sabacthani: Choral Melodies to Passion Words in Three Ljubljana Manuscripts Abstract   PDF (Slovenščina)
Jurij Snoj
 
Vol 48, No 1 (2012) Emotions Unveiled: Romance at the Opera in Moonstruck (1987), Pretty Woman (1990) and Little Women (1994) Abstract
Kordula Knaus
 
Vol 5, No 1 (1969) End of Musical Parody? Abstract   PDF (Slovenščina)
Hellmut Federhofer
 
Vol 51, No 2 (2015) Ethnomusicology as the Study of People Making Music Abstract
Jeff Todd Titon
 
Vol 43, No 2 (2007) Evangelist or Socialist: Johann Sebastian Bach in the Cold War and Other Periods of National Uncertainty Abstract   PDF (Slovenščina)
Marie-Agnes Dittrich
 
Vol 51, No 2 (2015) Excudebat Leonhardus Formica: Leonhard Formica (Lenart Mravlja) und seine Musikdrucke Abstract
Marko Motnik
 
Vol 17, No 2 (1981) Expressionism as Musical Style Abstract   PDF (Slovenščina)
Ivan Klemenčič
 
Vol 22, No 1 (1986) Expressionism in Slovene Music Abstract   PDF (Slovenščina)
Ivan Klemenčič
 
Vol 10, No 1 (1974) Expressionist Elements in Serbian Music up to 1945 Abstract   PDF (Slovenščina)
Marija Koren
 
Vol 10, No 1 (1974) Expressionist Elements in Vojislav Vučković's Compositions Abstract   PDF (Slovenščina)
Marija Koren
 
Vol 38, No 1 (2002) Expressive Emotion and Symphonic Economy: A Note on Recent Works by Uroš Krek Abstract   PDF
Niall O'Loughlin
 
Vol 50, No 1 (2014) Expressive Sonority and Formal Control: Lojze Lebič into the 21st Century Abstract
Niall O’Loughlin
 
Vol 46, No 2 (2010) Festival Ljubljana Concert Management 1953-1963 Abstract   PDF (Slovenščina)
Tjaša Ribizel
 
Vol 25, No 1 (1989) Folk Instruments in the Balkans Abstract   PDF (Hrvatski)
Roksanda Pejović
 
Vol 28, No 1 (1992) Fonti per una ricostruzione della didattica di Tartini nella "Scuola delle Nazioni" Abstract   PDF (Italiano)
Margherita Canale
 
Vol 45, No 2 (2009) Foreword Details   PDF (Slovenščina)
Kevin Korsyn
 
Vol 17, No 1 (1981) Foreword Abstract   PDF (Slovenščina)
Uredniški odbor
 
Vol 3, No 1 (1967) Formalism and Expressionism in the Aesthetics of European Music Abstract   PDF (Slovenščina)
Ivo Supičić
 
Vol 40, No 1&2 (2004) Formalismus als österreichische Staatsdoktrin? Zum Kontext musikalischer Formalästhetik innerhalb der Wissenschaft Zentraleuropas Abstract   PDF (Deutsch)
Barbara Boisits
 
Vol 26, No 1 (1990) Fortschrittsdenken und Zeitbewusstsein in der Musik Abstract   PDF (Deutsch)
Manfred Hermann Schmid
 
Vol 27, No 1 (1991) Four Parodies by Gabriello Puliti and the Question of Masses in Istria in the First Half of the 17th Century Abstract   PDF (Hrvatski)
Ivano Cavallini
 
Vol 41, No 1 (2005) Four Semiotic Approaches to Musical Meaning: Markedness, Topics, Tropes, and Gesture Abstract   PDF
Robert S. Hatten
 
Vol 3, No 1 (1967) Fragments from the Letters of Ivan Zajc Abstract   PDF (Slovenščina)
Lovro Županović
 
Vol 19, No 1 (1983) Fragments of Mediaeval Choral Manuscripts in the Ljubljana Seminary Library Abstract   PDF (Slovenščina)
Jurij Snoj
 
Vol 24, No 1 (1988) Fragments of Medieval Plainchant Manuscripts in Late Gothic Notation in Ljubljana Abstract   PDF (Slovenščina)
Jurij Snoj
 
Vol 25, No 1 (1989) Fragments of Medieval Plainchant Manuscripts in Late Gothic Notation in Ljubljana. An Outline of the Conception and Results of the Research under the Same Title Abstract   PDF (Slovenščina)
Jurij Snoj
 
Vol 15, No 1 (1979) Franc Šturm's Piano Sonata Abstract   PDF (Slovenščina)
Katarina Bedina
 
Vol 3, No 1 (1967) Franciscus de Pavonibus from Ljubljana as Organist in Dubrovnik in 1463 Abstract   PDF (Slovenščina)
Ignacij Voje
 
Vol 3, No 1 (1967) Franciscus Josephus Thallmainer 1698–1768 Abstract   PDF (Slovenščina)
Marijan Smolik
 
Vol 26, No 1 (1990) František Josef Benedikt Dusík Abstract   PDF (Deutsch)
Jitka Snížková
 
Vol 15, No 1 (1979) Franz Schubert und die Tradition Abstract   PDF (Deutsch)
Hellmut Federhofer
 
Vol 47, No 2 (2011) Freie Norddeutsche "Clavierstücke Pedaliter" zwischen Orgel und Saitenclavieren Abstract   PDF (Slovenščina)
Dalibor Miklavčič
 
Vol 47, No 1 (2011) From a Glossary to a dictionary: Creating Croatian-Slovene Glossaries of Harmony and Counterpoint Terminology Abstract   PDF (Slovenščina)
Jelena Grazio
 
Vol 25, No 1 (1989) From a „Resounding“ Phenomenon to the Transcendental „Ideal Truth“. Pursuing „Voices“, „Melody“ and „Symphony“ within the Aesthetic System of France Veber Abstract   PDF (Slovenščina)
Marija Bergamo
 
Vol 43, No 2 (2007) From Musical Grammars to Music Cognition in the 1980s and 1990s: Highlights of the History of Computer-Assisted Music Analysis Abstract   PDF (Slovenščina)
Nico Schüler
 
Vol 44, No 1 (2008) From Neutrality to Praxis: The Shifting Politics of Ethnomusicology in the Contemporary World Abstract   PDF
Samuel Araújo
 
Vol 44, No 1 (2008) From Researched to Centrestage: A Case Study Abstract
Jennifer K. Newsome
 
Vol 51, No 2 (2015) From Rubinstein to Rebikov: influences of Russian composers on Janáček Abstract
John Tyrrell
 
Vol 17, No 2 (1981) From Štrekelj's Correspondence Abstract   PDF (Slovenščina)
Zmaga Kumer
 
Vol 11, No 1 (1975) From the Correspondence of Slavko Osterc Abstract   PDF (Slovenščina)
Dragotin Cvetko
 
Vol 25, No 1 (1989) From the Musical Production of Valentin Lechner Abstract   PDF (Slovenščina)
Manica Špendal
 
Vol 52, No 1 (2016) Functional Nature of the Cadential Six-Four Abstract
Dimitar Ninov
 
Vol 28, No 1 (1992) G. Tartini's Violin Concerto in D Minor (D. 45) - An Analytical Attempt Regarding Time and Space Abstract   PDF (Slovenščina)
Andrej Rijavec
 
Vol 4, No 1 (1968) Gabriel Plautz - Court Chapelmaster in Mainz Abstract   PDF (Slovenščina)
Adam Gottron
 
Vol 48, No 1 (2012) Galilei and the Tuning Question Abstract
Nejc Sukljan
 
Vol 42, No 1 (2006) Genre in Janáček’s operas Abstract   PDF
John Tyrrell
 
Vol 11, No 1 (1975) Gerbič's Unperformed Opera »Midsummer Night« Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 48, No 1 (2012) German Musical Theatre in Ljubljana (1875-1914) Details
Špela Lah
 
Vol 8, No 1 (1972) German Opera in Ljubljana from 1861 to 1875 Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 13, No 1 (1977) Giacomo Carissimis Kompositionen in den Böhmischen Ländern Abstract   PDF (Deutsch)
Jiří Sehnal
 
Vol 1, No 1 (1965) Giovanni Sebenico Abstract   PDF (Slovenščina)
Miloš M. Velimirović
 
Vol 28, No 1 (1992) Giuseppe Tartini and Giuseppe Michiele Stratico Abstract   PDF (Hrvatski)
Stanislav Tuksar
 
Vol 28, No 1 (1992) Giuseppe Tartini and His Circle in Croatian Archive Collections Abstract   PDF (Hrvatski)
Vjera Katalinić
 
Vol 48, No 2 (2012) Glanz und Elend des Militärs am Beispiel von Generalmajor Friedrich Schirza Abstract
Peter Zimmermann
 
Vol 43, No 1 (2007) Glasba je glasba svetov! Glasba svetov pri poučevanju glasbe na visokih šolah Abstract   PDF (Slovenščina)
Nico Schüler
 
Vol 52, No 2 (2016): Marking the 70th Anniversary of ICTM and 20th Anniversary of CES Folk Slovenia. Music, Sound and Ecology Gong and Its Therapeutic Meaning Abstract
Albinca Pesek, Tomaž Bratina
 
Vol 50, No 2 (2014) Gramophone Serving Sacred Music? Abstract
Drago Kunej
 
Vol 17, No 2 (1981) Gustav Mahler and Anton Krisper Abstract   PDF (Slovenščina)
Primož Kuret
 
Vol 48, No 1 (2012) Handel, his Contemporaries and Early English Oratorio Abstract
Mathew Gardner
 
Vol 15, No 1 (1979) Handlungsballet, Melodrama und die musikdramatischen Musikformen des Sturm und Drangs und des Weimarschen Klassizismus Abstract   PDF (Deutsch)
Andrew D. McCredie
 
Vol 47, No 1 (2011) Harmoniousness in Connecting Music and Visual Artworks in the Slovenie and Finnish Cultural Environment Abstract   PDF (Slovenščina)
Janja Črčinovič Rozman
 
Vol 50, No 2 (2014) Harmony, Sacrifice, and Agamben’s Messianic Time Abstract
Janet Danielson
 
Vol 38, No 1 (2002) Heard, Presented, Understood - Reflecting Upon the Boundaries of Music Analysis Abstract   PDF (Slovenščina)
Leon Stefanija
 
Vol 47, No 1 (2011) Hegel᾽s Aesthetics and the Idea of Absolute Music Abstract   PDF (Slovenščina)
Jurij Snoj
 
Vol 34, No 1 (1998) Heine, Schubert und Wolf: "Ich stand in dunkeln Träumen" Abstract   PDF (Deutsch)
Albrecht Riethmüller
 
Vol 32, No 1 (1996) High Masses by Venčeslav Wratny Abstract   PDF (Slovenščina)
Aleš Nagode
 
Vol 22, No 1 (1986) Historical Avant-garde in Slovene Music Abstract   PDF (Slovenščina)
Ivan Klemenčič
 
Vol 47, No 1 (2011) Hölderlin als Denkmal in der Kunst des 19. und 20. Jahrhunderts Abstract   PDF (Slovenščina)
Helmut Loos
 
Vol 46, No 2 (2010) How Fast Do 78 rpm Records Turn? Abstract   PDF (Slovenščina)
Drago Kunej
 
Vol 48, No 1 (2012) How much is opera inter/national? Abstract
Tatjana Marković
 
Vol 39, No 1 (2003) Humanities and Music Abstract   PDF (Slovenščina)
Jurij Snoj
 
Vol 37, No 1 (2001) Iannis Xenakis et la musique française, une filiation incomprise? Abstract   PDF (Français (France))
Jean-Marc Chouvel
 
Vol 51, No 1 (2015) In Celebration Abstract
Jernej Weiss
 
Vol 51, No 2 (2015) In Celebration Abstract
Jernej Weiss
 
Vol 41, No 2 (2005) In Defence of 'Structural Listening': Some Problems With the New Musicology Abstract   PDF
Christopher Norris
 
Vol 31, No 1 (1995) In Search of Osterc Abstract   PDF (Slovenščina)
Borut Loparnik
 
Vol 46, No 2 (2010) In the Pitfalls of Interpretations Optics: A Note on Progress Abstract   PDF (Slovenščina)
Marija Bergamo
 
Vol 27, No 1 (1991) Influence of Foreign Musical Cultures in the Work of Miloslav Kabeláč Abstract   PDF
Jarmila Doubravová
 
Vol 50, No 1 (2014) Influences of the European Avant–Garde on the Relationship between Literature and Music in the Works of Jakob Jež Abstract
Larisa Vrhunc
 
Vol 46, No 1 (2010) Influences on the development of violin teaching in the Slovenian Lands in the nineteenth and first half of the twentieth centuries Abstract   PDF (Slovenščina)
Maruša Zupančič
 
Vol 41, No 2 (2005) In(-)formations. The Meaning of Paratextual Elements in Debussy's Syrinx Abstract   PDF
Marcel Cobussen
 
Vol 39, No 1 (2003) Instrument Makers in Slovenia 1606–1918 Abstract   PDF (Slovenščina)
Darja Koter
 
Vol 52, No 1 (2016) Instrumental and Phonetic Analysis of Sung Vowels and the Orthoepy of Sung Lyrics of Popular Slovene “popevka” Songs Abstract
Karmen Brina Kodrič, Hotimir Tivadar
 
Vol 50, No 2 (2014) Instrumental Music and Franciscan Liturgy Abstract
Vesna Venišnik
 
Vol 43, No 2 (2007) Intellectual Magic: Tradition Infiltrated by Passion in the String Quartets of the English Composer Hugh Wood Abstract   PDF (Slovenščina)
Niall O'Loughlin
 
Vol 18, No 1 (1982) Intellekt und Phantasie in der Musik von Witold Lutosławski Abstract   PDF (Deutsch)
Zofia Helman
 
Vol 47, No 1 (2011) Interactions between Tradition and Modernism in Serbian Church Music of the 20th Century Abstract   PDF (Slovenščina)
Ivan Moody
 
Vol 39, No 1 (2003) Interconnecting Musicologies: Decoding Mahler's Sixth Symphony Abstract   PDF
Niall O'Loughlin
 
Vol 52, No 1 (2016) Interest of Slovene Students in Listening to Various Musical Genres Abstract
Barbara Sicherl Kafol, Olga Denac, Jerneja Žnidaršič
 
Vol 43, No 1 (2007) Interfaces – a Musical Situation Abstract   PDF (Slovenščina)
Werner Jauk
 
Vol 46, No 1 (2010) International Symposium Friderik Širca - Risto Savin (1859-1948): Personality, Music, Significance Details   PDF (Slovenščina)
Suzana Ograjenšek
 
Vol 49, No 1 (2013) Interpretierte Welt: Aspekte einer Musikgeschichte des Ersten Weltkriegs Abstract
Stefan Schmidl
 
Vol 48, No 2 (2012) Introduction: Risto Savin – New Discoveries Details
Suzana Ograjenšek
 
Vol 34, No 1 (1998) Introductory Note Abstract   PDF (Slovenščina)
Uredniški odbor
 
Vol 32, No 1 (1996) Isaac Posch and His Instrumental Works, with Special Reference to the Variation Suites for Instrumental Ensemble in the Collection Musicalische Ehrenfreudt (1618) Abstract   PDF (Slovenščina)
Metoda Kokole
 
Vol 34, No 1 (1998) Isaac Posch and his Instrumental Works; with special reference to variation suites for instrumental set-up of the collection Musicalische Ehrenfreudt (1618) Abstract   PDF (Slovenščina)
Metoda Kokole
 
Vol 35, No 1 (1999) Isaac Posch and his Musical Works Abstract   PDF (Slovenščina)
Metoda Kokole
 
Vol 32, No 1 (1996) Isaac Posch's Instrumental Collection Musicalische Ehrenfreudt (1618) Abstract   PDF (Slovenščina)
Metoda Kokole
 
Vol 16, No 1 (1980) J. Pavčič's Lieder Abstract   PDF (Slovenščina)
Manica Špendal
 
Vol 22, No 1 (1986) Jacobus Gallus und Orlando di Lasso. Einige Betrachtungen zum Problem des Stilvergleichs in Motettenrepertoire Abstract   PDF (Deutsch)
Wolfgang Boetticher
 
Vol 18, No 1 (1982) Jakob Handl-Gallus und die böhmischen Länder Abstract   PDF (Deutsch)
Theodora Straková
 
Vol 16, No 1 (1980) Janáček's Aesthetics Abstract   PDF
Jaroslav Jiránek
 
Vol 51, No 1 (2015) Janez Bitenc – Nestor of Children’s songs and Musical Fairy Tales Abstract
Darja Koter
 
Vol 17, No 2 (1981) Janko Ravnik's Lieder Abstract   PDF (Slovenščina)
Manica Špendal
 
Vol 46, No 2 (2010) Janko Ravnik's Piano Works, published in the New Chords magazine Abstract   PDF (Slovenščina)
Katarina Bogunović Hočevar
 
Vol 33, No 1 (1997) Jews in the Slovene Folk Song Abstract   PDF (Slovenščina)
Zmaga Kumer
 
Vol 36, No 1 (2000) Johann Sebastian Bach: The Utterable Scholarly Account and the Unutterable Greatness of Music Abstract   PDF (Slovenščina)
Jurij Snoj
 
Vol 34, No 1 (1998) Johannes Thesselius and his Collection of Dances for Five-Part Instrumental Ensemble Abstract   PDF (Slovenščina)
Lidija Podlesnik
 
Vol 50, No 1 (2014) José Osana (1919–1996) – Life and Work Abstract
Lidija Podlesnik Tomášiková
 
Vol 3, No 1 (1967) Josif Marinković's Lieder Abstract   PDF (Slovenščina)
Zijo Kučukalić
 
Vol 42, No 2 (2006) Josip Procházka (1874–1956) as ‘Czech-Slovenian’ Song Composer Abstract   PDF (Slovenščina)
Jernej Weiss
 
Vol 22, No 1 (1986) Josip Slavenski as Perceived in Writings by Slavko Osterc Abstract   PDF (Slovenščina)
Katarina Bedina
 
Vol 43, No 1 (2007) Julius Ohm-Januschowsky and His Criticism in Ljubljana Abstract   PDF (Slovenščina)
Špela Lah
 
Vol 26, No 1 (1990) Jurij Vodovnik in the Slovene Folk-Song Tradition Abstract   PDF (Slovenščina)
Igor Cvetko
 
Vol 50, No 2 (2014) King David and the Frog Abstract
Marina Ritzarev
 
Vol 44, No 1 (2008) Kjell Skyllstad and Applied Ethnomusicology Abstract   PDF
Svanibor Pettan
 
Vol 12, No 1 (1976) Klangliche Realisierungen im Werk von Uroš Krek Abstract   PDF (Deutsch)
Andrej Rijavec
 
Vol 22, No 1 (1986) Kogoj and Slavenski. A Contribution to the Typology of Yugoslav Musical Trends Abstract   PDF (Slovenščina)
Borut Loparnik
 
Vol 20, No 1 (1984) Kogoj's Compositional Beginnings Abstract   PDF (Slovenščina)
Borut Loparnik
 
Vol 7, No 1 (1971) Kogoj's Incidental Music »In the Kingdom of the Dwarfs« Abstract   PDF (Slovenščina)
Ivan Klemenčič
 
Vol 12, No 1 (1976) Kogoj's Suite for Orchestra »Če se pleše« (When Dancing) Abstract   PDF (Slovenščina)
Ivan Klemenčič
 
Vol 4, No 1 (1968) Kogoj's Views on the Slovene Folk-Song Abstract   PDF (Slovenščina)
Borut Loparnik
 
Vol 51, No 2 (2015) Komponist und Dirigent: Verdi und Mariani Abstract
Michael Walter
 
Vol 49, No 1 (2013) Kozertorgeln in Leipzig Abstract
Helmut Loos
 
Vol 32, No 1 (1996) "Kresnice" Making Their Rounds in Bela Krajina: Their Sound Image and Semiological Framework Abstract   PDF (Slovenščina)
Igor Cvetko
 
Vol 40, No 1&2 (2004) Kroatische Kunstmusik und ihr Verhältnis zum mitteleuropäischen Raum Abstract   PDF (Deutsch)
Stanislav Tuksar
 
Vol 30, No 1 (1994) L'Accademia, l'Arcadia e la figura di Antonio Tarsia Abstract   PDF (Italiano)
Antonio Trampus
 
Vol 23, No 1 (1987) La diffusione del madrigale in Istria: I Casentini e Gabriello Puliti Abstract   PDF (Italiano)
Ivano Cavallini
 
Vol 19, No 1 (1983) La Libellula di Pavle Merkù Abstract   PDF (Italiano)
Pierluigi Petrobelli
 
Vol 48, No 1 (2012) Late medieval monastic reception of the liturgical plainchant: the example of the antiphoners of the Žiče Charterhouse Details
Katarina Šter
 
Vol 36, No 1 (2000) Le fonti poetiche delle mascherate di Gabriello Puliti Abstract   PDF (Italiano)
Gianmario Merizzi
 
Vol 43, No 2 (2007) Le tolérantisme musical – Comments on Antoine Bemetzrieder’s Essay on National Musical Cultures in the 18th century. Notes on the Epistemology of Music Abstract   PDF (Slovenščina)
Leon Stefanija
 
Vol 43, No 1 (2007) Lebič's »Metaphysical Dialectics« – Analysis of Composer's Explicite Poetics Abstract   PDF (Slovenščina)
Gregor Pompe
 
Vol 21, No 1 (1985) Leo Funtek – Slovene and Finnish Musician – On the Centenary of His Birth Abstract   PDF (Slovenščina)
Primož Kuret
 
Vol 24, No 1 (1988) Leopold Ferdinand Schwerdt's Symphony in E Flat Major Abstract   PDF (Slovenščina)
Andrej Rijavec
 
Vol 4, No 1 (1968) Leoš Janáček and the Avant-garde of the Twenties Abstract   PDF
Miloš Štědroň
 
Vol 17, No 1 (1981) Les concerts à Paris en 1830 Abstract   PDF (Français (France))
François Lesure
 
Vol 52, No 2 (2016): Marking the 70th Anniversary of ICTM and 20th Anniversary of CES Folk Slovenia. Music, Sound and Ecology Linnaeus, Zoomusicology, Ecomusicology, and the Quest for Meaningful Categories Abstract
Marcello Sorce Keller
 
Vol 50, No 2 (2014) Listening to Music in ‛Holy’ Space: The Role of 19th-Century Public Concert in the Construction of Kunstreligion Abstract
Ana Petrov
 
Vol 44, No 2 (2008) Ljubljanska filharmonija Abstract   PDF
Urška Šramel Vučina
 
Vol 49, No 2 (2013) Looking for coordinates. A challenge for research in reception and interpretation of music Abstract
Thomas Hochradner
 
Vol 48, No 1 (2012) Ludwig van Beethoven's Compositions in Concert Programs and in the Printed Music Collection of the Ljubljana Philharmonic Society Abstract
Sara Železnik
 
Vol 40, No 1&2 (2004) Luka Sorkočevićs Wiener Tagebuch (1781–1782) Abstract   PDF (Deutsch)
Vjera Katalinić
 
Vol 50, No 2 (2014) Lux aeternas by Two Composers: Sacred and Profane in the Context of Genre Individualisation Abstract
Primož Trdan
 
Vol 52, No 2 (2016): Marking the 70th Anniversary of ICTM and 20th Anniversary of CES Folk Slovenia. Music, Sound and Ecology Maataw – the Floating Island: Performing Social and Ecological Change among Tao People Abstract
Wei-Ya Lin
 
Vol 21, No 1 (1985) Maribor – the Scene of "La sorella di Mark", a Lost Opera by the Italian Composer Giacomo Setaccioli Abstract   PDF (Slovenščina)
Manica Špendal
 
Vol 11, No 1 (1975) Marij Kogoj's Andante for Violin and Piano Abstract   PDF (Slovenščina)
Borut Loparnik
 
Vol 7, No 1 (1971) Marjan Kozina. A Contribution to His Biography Abstract   PDF (Slovenščina)
Primož Kuret
 
Vol 52, No 2 (2016): Marking the 70th Anniversary of ICTM and 20th Anniversary of CES Folk Slovenia. Music, Sound and Ecology Marking the 70th Anniversary of ICTM and 20th Anniversary of CES Folk Slovenia: Music, Sound and Ecology Abstract
Svanibor Pettan
 
Vol 52, No 1 (2016) Matjaž Barbo: Meaning in Music and Music in Meaning Abstract
Jurij Snoj
 
Vol 52, No 1 (2016) Medicine for Body or Soul? Philosophical Reconstruction of the Role of Music in Ancient Healing Practices Abstract
Sonja Weiss
 
Vol 23, No 1 (1987) Mediterranean Aspects of the Yugoslav Musical Realm Abstract   PDF (Slovenščina)
Marija Bergamo
 
Vol 43, No 1 (2007) Melodic and Harmonic Tone-Structures in Demetrij Žebre’s Orchestral Pieces Abstract   PDF (Slovenščina)
Karmen Salmič
 
Vol 17, No 1 (1981) Melodic Determinants in Tonal Structures Abstract   PDF
Frits R. Noske
 
Vol 29, No 1 (1993) Melodični postopki v glasbi Iva Petrića Abstract   PDF
Niall O'Loughlin
 
Vol 31, No 1 (1995) Melodics in Osterc's Compositional Technique Abstract   PDF (Slovenščina)
Marijan Lipovšek
 
Vol 9, No 1 (1973) Melodics in the Piano Compositions of Marij Kogoj Abstract   PDF (Slovenščina)
Ivan Klemenčič
 
Vol 46, No 2 (2010) Melusina - An Unstaged Opera by Emerik Beran Abstract   PDF (Slovenščina)
Jernej Weiss
 
Vol 41, No 2 (2005) Mémoire: on Music and Deconstruction Abstract   PDF
Alan Street
 
Vol 45, No 2 (2009) Mercy and its Transformations Abstract   PDF (Slovenščina)
Slavoj Žižek
 
Vol 49, No 1 (2013) Metamorphosen Details
Christopher Norris
 
Vol 30, No 1 (1994) Method as a Way to Atomize History Abstract   PDF
Aleksandra Wagner
 
Vol 35, No 1 (1999) Mid-Seventeenth-Century Italian Opera Performance(s) in Count Auersperg's Palace – a Few Additions to the Slovenian Music Historiography Abstract   PDF (Slovenščina)
Metoda Kokole
 
Vol 24, No 1 (1988) Missa sopra la Bergamasca – A Contribution to the Research of J. K. Dolar's Creativity Abstract   PDF (Slovenščina)
Tomaž Faganel
 
Vol 40, No 1&2 (2004) Mitteleuropa – Mythos oder Wirklichkeit? Abstract   PDF (Deutsch)
Peter Vodopivec
 
Vol 40, No 1&2 (2004) Mitteleuropäische Kontexte der Franziskaner-Musikkultur im 17.–19. Jahrhundert Abstract   PDF (Deutsch)
Ladislav Kačic
 
Vol 40, No 1&2 (2004) Mitteleuropas Beitrag zur Stilentwicklung und Geschichte der europäischen Musik Abstract   PDF (Deutsch)
Oskar Elschek
 
Vol 42, No 1 (2006) Modern Musical Waves: Technical and Expressive Aspects of Fin-de-siècle Form Abstract   PDF
Stephen Downes
 
Vol 24, No 1 (1988) Modern-day Folk Dancing Music in Egypt and Some Related Aspects of the Folk Music of Kosovo Abstract   PDF (Slovenščina)
Svanibor Pettan
 
Vol 27, No 1 (1991) Modernism in Slovene Music and Marij Kogoj Abstract   PDF (Slovenščina)
Borut Loparnik
 
Vol 17, No 1 (1981) Monodie passeggiate Abstract   PDF (Deutsch)
Karl Gustav Fellerer
 
Vol 49, No 2 (2013) Moonlight, Nightingales and Dreams of Hawaii – Referential systems of “Kitsch” in the German Musical Cabaret of the late Weimar Republic Abstract
Carolin Stahrenberg
 
Vol 43, No 1 (2007) Music as a Language of Globalisation? The Metalinguistic Context of Lebič's Music Abstract   PDF (Slovenščina)
Matjaž Barbo
 
Vol 27, No 1 (1991) Music as a Passively Formative Element in Slovene Society Abstract   PDF (Slovenščina)
Matjaž Barbo
 
Vol 43, No 1 (2007) Music as History Abstract   PDF (Deutsch)
Arnold Feil
 
Vol 26, No 1 (1990) Music, Ethos and the Historical Past in Hektorović's Fishing and Fishermen's Conversations Abstract   PDF (Hrvatski)
Bojan Bujić
 
Vol 14, No 1 (1978) Music in Dubrovnik – From the Latter of the 16th to the Beginning of the 17th Century – With Special Ragard to Lambert and Henrik Courtoys Abstract   PDF (Slovenščina)
Miho Demović
 
Vol 43, No 1 (2007) Music in Homer's Iliad Abstract   PDF (Slovenščina)
Jurij Snoj
 
Vol 43, No 2 (2007) Music in Plato’s Republic Abstract   PDF (Slovenščina)
Jurij Snoj
 
Vol 1, No 1 (1965) Music in the Curricular of the Protestant School in Ljubljana Abstract   PDF (Slovenščina)
Andrej Rijavec
 
Vol 24, No 1 (1988) Music in the Dalmatian Theatre of the 16th Century Abstract   PDF
Vjera Katalinić
 
Vol 25, No 1 (1989) Music in the Serbian Orthodox Church in Trieste Abstract   PDF (Hrvatski)
Danica Petrović
 
Vol 41, No 2 (2005) Music in the Thought of Deconstruction / Deconstruction in the Thought of Music (For Joseph Dubiel) Abstract   PDF
Martin Scherzinger
 
Vol 47, No 1 (2011) Music Textbooks and Instruction Manuals of the “Long” Eighteenth Century in Slovenia Abstract   PDF (Slovenščina)
Metoda Kokole
 
Vol 46, No 1 (2010) Music Theatre Directing in Slovenia: From Dilettantism of the Dramatic Society to (the Attempts of) Professionalism in the Regional Theatre Abstract   PDF (Slovenščina)
Darja Koter
 
Vol 34, No 1 (1998) Musical Activity of Reading Societies in Slovenia until the Founding of the Musical Centre (1848 - 1872) Abstract   PDF (Slovenščina)
Nataša Cigoj Krstulović
 
Vol 34, No 1 (1998) Musical and Analytical Points of Departure: Towards a Description of Compositional Structure Abstract   PDF (Slovenščina)
Leon Stefanija
 
Vol 3, No 1 (1967) Musical Angels in St. George's Church at Lovran Abstract   PDF (Slovenščina)
Koraljka Kos
 
Vol 3, No 1 (1967) Musical Angels in the Churches at Srednja vas near Šenčur and at Gosteče Abstract   PDF (Slovenščina)
Primož Kuret
 
Vol 43, No 1 (2007) Musical Effect: Notes on the Research of the Term Abstract   PDF (Slovenščina)
Leon Stefanija
 
Vol 52, No 1 (2016) Musical Elements in the Performing Approach: Sonatina in C for Two Pianos from a Macedonian Contemporary Composer Abstract
Aida Islam Leshkova Zelenkovs, Stefanija Leshkova Zelenkovs
 
Vol 51, No 1 (2015) Musical impressions from an eighteenthcentury European tour by a Styrian nobleman Abstract
Metoda Kokole
 
Vol 4, No 1 (1968) Musical Instruments in the Medieval Art in Croatia Abstract   PDF (Slovenščina)
Koraljka Kos
 
Vol 12, No 1 (1976) Musical Instruments on Mediaeval Monuments in Serbia and Macedonia Abstract   PDF (Slovenščina)
Roksanda Pejović
 
Vol 12, No 1 (1976) Musical Performances on the Stage of the Maribor Theatre from 1785 to 1861 Abstract   PDF (Slovenščina)
Manica Špendal
 
Vol 49, No 1 (2013) Musical Practice in Ljubljana 1945-1963 Details
Tjaša Ribizel
 
Vol 17, No 2 (1981) Musical Publications of Serbian Authors Abstract   PDF (Hrvatski)
Roksanda Pejović
 
Vol 1, No 1 (1965) Musical Settings of Prešeren's Poems Abstract   PDF (Slovenščina)
Štefka Bulovec
 
Vol 50, No 2 (2014) Musical Symbols: The Symbiosis of Religious and Secular Themes in Art Heritage Abstract
Darja Koter
 
Vol 20, No 1 (1984) Musicality of 20th Century New Music Abstract   PDF (Hrvatski)
Nikša Gligo
 
Vol 34, No 1 (1998) Musico-Analytic Points of Departure: Between Idea and Structure Abstract   PDF (Slovenščina)
Leon Stefanija
 
Vol 33, No 1 (1997) Musicological Terminology - An Issue of Current Vogue? Abstract   PDF (Slovenščina)
Rudolf Flotzinger
 
Vol 41, No 2 (2005) Musicology as an Institutional Discourse: Deconstruction and the Future of Musicology Abstract   PDF
Kevin Korsyn
 
Vol 34, No 1 (1998) Musicology between Science and Art Abstract   PDF (Slovenščina)
Marija Bergamo
 
Vol 39, No 1 (2003) Musicology went Pop: The Research of Global Musical Trends through the Prism of National Schools and Other Schoolarly Conventions Abstract   PDF (Slovenščina)
Alenka Barber-Keršovan
 
Vol 39, No 1 (2003) Musicology – A Belated Scholarly Discipline? Abstract   PDF (Slovenščina)
Katarina Bedina
 
Vol 39, No 1 (2003) Musicology: Doubts about its Subject(s) and its Pedagogical Function(s) Abstract   PDF
Nikša Gligo
 
Vol 16, No 1 (1980) Musik als Ausdrucks- und Mitteilungssystem Abstract   PDF (Deutsch)
Josef Bek
 
Vol 47, No 1 (2011) "Musik am Rande". Einige Bemerkungen zur Typologie der Musik von Alois Hába Abstract   PDF (Slovenščina)
Vlasta Reitterterová
 
Vol 23, No 1 (1987) Musikalisch-ästhetische Dramaturgie der „Sieben Worte Christi“ von H. Schütz Abstract   PDF (Deutsch)
Jiří Vysloužil
 
Vol 8, No 1 (1972) Musikalische Analyse (Heinrich Schütz) Abstract   PDF (Deutsch)
Hans Heinrich Eggebrecht
 
Vol 40, No 1&2 (2004) Musikalisches Mitteleuropa im europäischen Kontext, oder: Was kann die Musikhistorie zur Bestimmung von Mitteleuropa beitragen? Abstract   PDF (Deutsch)
Rudolf Flotzinger
 
Vol 17, No 1 (1981) Musikanalyse und Musikvermittlung Abstract   PDF (Deutsch)
Hans Heinrich Eggebrecht
 
Vol 20, No 1 (1984) Musikgebundene Innovationsvorgänge: ein Sonderfall der Dialektik des Musikalischen und Aussermusikalischen Abstract   PDF (Deutsch)
Jiří Fukač
 
Vol 50, No 2 (2014) Musikgeschichte als heilige Geschichte - ein Versuch, die Entwicklung neu zu verstehen Abstract
Wolfgang-Andreas Schultz
 
Vol 28, No 1 (1992) Musikikonographie und Volksmusik in der slowenischen bildenden Kunst Abstract   PDF (Deutsch)   PDF (Slovenščina)
Primož Kuret
 
Vol 33, No 1 (1997) Musikinstrumente österreichischer Klavierbauer im Landesmuseum Ptuj/Petau (Slowenien) Abstract   PDF (Deutsch)
Darja Koter
 
Vol 46, No 2 (2010) My Life's Plan: Dragotin Cvetko and the Beginnings of the Study of Musicology in Slovenia Abstract   PDF (Slovenščina)
Matjaž Barbo
 
Vol 35, No 1 (1999) Nakon sabranih sjećanja. Primožu Ramovšu u spomen Abstract   PDF (Hrvatski)
Nikša Gligo
 
Vol 51, No 2 (2015) Narrations of a nation: Montenegrin self-representation through (re) construction of cultural memory Abstract
Tatjana Marković
 
Vol 52, No 1 (2016) Nataša Cigoj Krstulović: History, Remembrance, Heritage: The Glasbena matica Ljubljana Music Society up to the End of the Second World War Abstract
Aleš Nagode
 
Vol 51, No 1 (2015) National and transnational aspects of music: case study of Dvořák early reception in Slovenia Abstract
Nataša Cigoj Krstulovič
 
Vol 30, No 1 (1994) Nekaj zapažanj o glasbeni kulturi Kopra v času Antonia Tarsie Abstract   PDF (Italiano)
Ivano Cavallini
 
Vol 20, No 1 (1984) Neobarocke Stilmerkmale in der polnischen zeitgenössischen Musik am Beispiel Boleslaw Szabelskis Schaffen Abstract   PDF (Deutsch)
Karol Bula
 
Vol 42, No 2 (2006) Neoromantic »Answer« to the Demands of Socialist Realism: Stanojlo Rajičić Na Liparu for bass and symphonic orchestra (1951) Abstract   PDF
Vesna Mikić
 
Vol 14, No 1 (1978) Neue Schumanniana Abstract   PDF (Deutsch)
Wolfgang Boetticher
 
Vol 4, No 1 (1968) Neumatic Fragments of Zadar in Oxford Abstract   PDF (Slovenščina)
Bojan Bujić
 
Vol 37, No 1 (2001) New data about Saint Cecilia's Academic Society in Kamnik Abstract   PDF (Slovenščina)
Radovan Škrjanc
 
Vol 21, No 1 (1985) New Findings from Correspondence Addressed to Franc Šturm Abstract   PDF (Slovenščina)
Katarina Bedina
 
Vol 25, No 1 (1989) New Music in Post-Modern Age? A Contribution to the Aggravation of a Modern-Day Controversy (In Memoriam Željko Falout) Abstract   PDF (Hrvatski)
Nikša Gligo
 
Vol 39, No 1 (2003) Nordic Symphony – Grieg at the cross-roads Abstract   PDF
Kjell Skyllstad
 
Vol 8, No 1 (1972) Note sulla poetica di Bellini. A proposito di I Puritani Abstract   PDF (Slovenščina)
Pierluigi Petrobelli
 
Vol 44, No 2 (2008) Notes on the style and spiritual categorisation of Moralia by Jacobus Handl Gallus Abstract   PDF
Pavel Sýkora
 
Vol 17, No 2 (1981) Notes towards the Formation of Slovene Chamber Music: Dilemmas of an Emerging Genre Abstract   PDF (Slovenščina)
Andrej Rijavec
 
Vol 15, No 1 (1979) Notes towards the Slovene-ness of Slovene Instrumental Music Abstract   PDF (Slovenščina)
Andrej Rijavec
 
Vol 11, No 1 (1975) Novelties in Slavko Osterc's Youth Choruses Abstract   PDF (Slovenščina)
Katarina Bedina
 
Vol 52, No 2 (2016): Marking the 70th Anniversary of ICTM and 20th Anniversary of CES Folk Slovenia. Music, Sound and Ecology Ob sedemdesetletnici ICTM in dvajsetletnici KED Folk Slovenija: glasba, zvok in ekologija Abstract
Svanibor Pettan
 
Vol 43, No 2 (2007) Occasional Music in Honour of the Monarchy, the Emperor and Pan-Slavism as a Reflection of Some Slovenian Political Ideas After 1848 Abstract   PDF (Slovenščina)
Nataša Cigoj Krstulović
 
Vol 16, No 1 (1980) Octoechos in the Musical Tradition of the Southern Slavs Abstract   PDF (Slovenščina)
Danica Petrović
 
Vol 41, No 2 (2005) On deconstruction in music /ology Abstract   PDF (Slovenščina)
Leon Stefanija
 
Vol 43, No 2 (2007) On Music as Reality Abstract   PDF (Slovenščina)
Arnold Feil
 
Vol 25, No 1 (1989) On Musical Poetics and Prose of Slavko Osterc Abstract   PDF (Slovenščina)
Katarina Bedina
 
Vol 14, No 1 (1978) On Progress in Music Abstract   PDF (Hrvatski)
Ivo Supičić
 
Vol 27, No 1 (1991) On Realism in Music Abstract   PDF (Slovenščina)
Cvetka Bevc
 
Vol 4, No 1 (1968) On the Origin of the Old Slavonic Chant in the Island of Krk Abstract   PDF (Slovenščina)
Cvjetko Rihtman
 
Vol 52, No 1 (2016) On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević Abstract
Katarina Tomašević
 
Vol 27, No 1 (1991) On the Periodization of Baroque Music in Slovenia Abstract   PDF (Slovenščina)
Katarina Bedina
 
Vol 4, No 1 (1968) On the Question of Osterc's Views on Composition Abstract   PDF (Slovenščina)
Katarina Bedina
 
Vol 26, No 1 (1990) On the Sound and Musical Identity (An Alternative View) Abstract   PDF (Slovenščina)
Igor Cvetko
 
Vol 45, No 2 (2009) One Coughs, the Other Dances: Freud, Strauss, and the Perversity of Modern Life Abstract   PDF (Slovenščina)
Lawrence Kramer
 
Vol 48, No 1 (2012) Opera Directing in Slovenia between the Two Wars: Between the Aesthetics of the Drama Theatre and Opera Aesthetics Abstract
Darja Koter
 
Vol 25, No 1 (1989) Opera in the Programmes of German Theatrical Companies in Ljubljana in the Period of Classicism Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 16, No 1 (1980) Oprekelj (Dulcimer, Hackbrett) in Slovenia Abstract   PDF (Slovenščina)
Mira Omerzel-Terlep
 
Vol 29, No 1 (1993) Ordinary and Artificial Polyphony in the Middle Ages Abstract   PDF (Slovenščina)
Rudolf Flotzinger
 
Vol 46, No 2 (2010) Organization and Freedom - An Analysis of Uroš Rojko's Tongenesis Abstract   PDF (Slovenščina)
Larisa Vrhunc
 
Vol 52, No 1 (2016) Organs and Organ Music in Slovene Cultural History until the Cecilian Movement Abstract
Katarina Trček
 
Vol 50, No 2 (2014) Orient and Occident Encounters in Dimitrije Buzarovski’s Oratorio “Radomir’s Psalms” Abstract
Trena Jordanonska
 
Vol 31, No 1 (1995) Osterc and Church Music Abstract   PDF (Slovenščina)
Aleš Nagode
 
Vol 31, No 1 (1995) Osterc and Hába Abstract   PDF (Slovenščina)
Leon Stefanija
 
Vol 31, No 1 (1995) Osterc's "Avantgardism" in the Light of His Second String Quartet (1934) Abstract   PDF (Slovenščina)
Marija Bergamo
 
Vol 32, No 1 (1996) Osterc's Letters to Juan C. Paz Abstract   PDF (Slovenščina)
Edo Škulj
 
Vol 45, No 1 (2009) Ottoman Influence on Folk Music Tradition of Bosnia and Herzegovina Abstract   PDF (Slovenščina)
Tamara Karača-Beljak
 
Vol 25, No 1 (1989) Pahor's Pre-Compositional Correspondence Course with Slavko Osterc Abstract   PDF (Slovenščina)
Andrej Rijavec
 
Vol 33, No 1 (1997) Paleolithic Art and Philosophy of the First Sound Abstract   PDF (Slovenščina)
Mira Omerzel-Terlep
 
Vol 30, No 1 (1994) Palestrina's Presence among Slovenes Abstract   PDF (Slovenščina)
Edo Škulj
 
Vol 42, No 1 (2006) Palimpsest Structure of Peter Ruzicka’s Composition Tallis or to What Extent Does Postmodernism Depend upon Modernism Abstract   PDF (Slovenščina)
Gregor Pompe
 
Vol 43, No 1 (2007) Parma's Operetta The Amazons of Tzarina (Caričine amazonke) – Responses to Performances Abstract   PDF (Slovenščina)
Darja Frelih
 
Vol 52, No 1 (2016) Parody Masses in Hren Choirbooks Abstract
Klemen Grabnar
 
Vol 8, No 1 (1972) Parthia and Three Concertos by Johann Adam Scheibl in the Archives of the Ptuj Reference Library Abstract   PDF (Slovenščina)
Andrej Rijavec
 
Vol 51, No 2 (2015) Pavel Haas: “Janáček’s Most Talented Student” Abstract
Lubomír Spurný
 
Vol 48, No 2 (2012) Performances in Žalec of Savin’s The Last Watch, commemorating the 150th Anniversary of the Composer’s Birth (2009) Details
Lidija Koceli
 
Vol 49, No 1 (2013) Personalentscheidungen an Musikwissenschaftlichen Lehrstühlen nach 1945: Zur Bewertung von Publikationen am Beispiel von Karl Blessinger und Werner Korte Abstract
Michael Malkiewicz
 
Vol 17, No 1 (1981) Philipp Jakob Rittler – ein vergessener Kapellmeister der Olmützer Kathedrale Abstract   PDF (Deutsch)
Jiří Sehnal
 
Vol 51, No 1 (2015) Piano Works of František Josef Benedikt Dusík Abstract
Matjaž Barbo
 
Vol 48, No 2 (2012) Poesie und Trivialität in Risto Savins deutchen Liedtexten Abstract
Peter Zimmermann
 
Vol 36, No 1 (2000) Postmodern Problems in European Musical Historiography Abstract   PDF (Slovenščina)
Reinhard Strohm
 
Vol 49, No 2 (2013) Postmodern referentiality: playing with texts and contexts in Petar Bergamo’s Second Symphony Abstract
Gregor Pompe
 
Vol 42, No 1 (2006) Postscripts Abstract   PDF
Bojan Bujić in Robert S. Hatten
 
Vol 8, No 1 (1972) Preface Abstract   PDF (Slovenščina)
Dragotin Cvetko
 
Vol 1, No 1 (1965) Preface Abstract   PDF (Slovenščina)
Dragotin Cvetko
 
Vol 25, No 1 (1989) Preface Abstract   PDF (Slovenščina)
Uredniški odbor
 
Vol 17, No 2 (1981) Prefatory Note Abstract   PDF (Slovenščina)
Uredniški odbor
 
Vol 43, No 2 (2007) Primož Ramovš’s Miniatures for Piano Abstract   PDF (Slovenščina)
Borut Loparnik
 
Vol 34, No 1 (1998) Pro musica viva - A Contribution to Slovenian Modern Trends since World War II Abstract   PDF (Slovenščina)
Matjaž Barbo
 
Vol 20, No 1 (1984) Problems of 20th Century New Music: Theoretical Foundations and Criteria of Evaluation Abstract   PDF (Slovenščina)
Nikša Gligo
 
Vol 30, No 1 (1994) Process as Musical Form in the Music of Milan Stibilj Abstract   PDF
Niall O'Loughlin
 
Vol 51, No 1 (2015) Procrustes’ Bed of Nationalism and New Paths to Knowledge about History of Music in Slovenia Abstract
Aleš Nagode
 
Vol 50, No 2 (2014) Profanation in Slovenian Contemporary Symphonic Music? Abstract
Leon Stefanija
 
Vol 34, No 1 (1998) Publicistic and Critical Style of Pavle Šivic in Musical Youth (1974-1995) Abstract   PDF (Slovenščina)
Urša Šivic
 
Vol 23, No 1 (1987) "Ramifications" Abstract   PDF
Nataša Kričevcov
 
Vol 45, No 2 (2009) Reception History and the Trauma of Real History: Decoding the Pantomime in Haydn's 'Farewell' Symphony Abstract   PDF (Slovenščina)
Kevin Korsyn
 
Vol 3, No 1 (1967) Reconstruction of the Medieval Sequencer in Central Slovenia Abstract   PDF (Slovenščina)
Janez Höfler
 
Vol 48, No 2 (2012) Recordings of Savin’s Operas Fair Vida and Matija Gubec in the Radio Slovenia Archive, and the Fair Vida Release on the RTV Slovenia Recording Label, commemorating the 150th Anniversary of the Composer’s Birth (2009) Details
Peter Bedjanič
 
Vol 48, No 2 (2012) Recordings of Savin’s Works in the Radio Slovenia Archive, and the CD Friderik Širca – Risto Savin, published in Cooperation between the RTV Slovenia Record Label and the Institution for Culture Žalec (1999) Details
Suzana Ograjenšek
 
Vol 51, No 2 (2015) Rediscovering Forgotten Composers with the Help of Online Genealogy and Music Score Databases: A Case Study on African-American Composer Jacob J. Sawyer (1856–1885) Abstract
Nico Schüler
 
Vol 17, No 1 (1981) Reduzierte Notre-Dame-Conductus im sogenannten Codex Buranus? Abstract   PDF (Deutsch)
Rudolf Flotzinger
 
Vol 49, No 2 (2013) Referential contexts of early Slovenian symphonic music Abstract
Matjaž Barbo
 
Vol 43, No 2 (2007) Reflection on the Term Romanticism in Music Abstract   PDF (Slovenščina)
Katarina Bogunović Hočevar
 
Vol 41, No 1 (2005) Reflections on the History of Computer-Assisted Music Analysis I: Predecessors and the Beginnings Abstract   PDF
Nico Schüler
 
Vol 42, No 1 (2006) Reflections on the History of Computer-Assisted Music Analysis II: The 1960s Abstract   PDF
Nico Schüler
 
Vol 50, No 2 (2014) Resacralization of the sacred: Carthusian liturgical plainchant and (re)biblicization of its texts Abstract
Katarina Šter
 
Vol 18, No 1 (1982) "Respected, but unwanted ..." Ernst Křenek today – in the light of two recent organ compositions Abstract   PDF (Slovenščina)
Marija Bergamo
 
Vol 50, No 2 (2014) Resurrecturis - Musical Triptych in the Form of a Concert Requiem, composed by P. Ramovš, J. Trošt, and S. Vremšak Abstract
Matjaž Barbo
 
Vol 45, No 1 (2009) Return to the Originals - Wagner, Jung, and Symbolic Forms Abstract   PDF (Slovenščina)
Asja Nina Kovačev
 
Vol 49, No 2 (2013) Reverenz an die Referenz Terminologische Anmerkungen eines Linguisten zu einem schillernden Begriff Abstract
Oswald Panagl
 
Vol 50, No 2 (2014) Revived is the Lord... : Two Readings of a Dramatic Approach in Music Abstract
Thomas Hochradner
 
Vol 6, No 1 (1970) Rex Asiae et Ponti. A Work of Homage by Cyprian de Rore Abstract   PDF (Slovenščina)
Bernhard Meier
 
Vol 52, No 2 (2016): Marking the 70th Anniversary of ICTM and 20th Anniversary of CES Folk Slovenia. Music, Sound and Ecology Rhythmanalysis of the Policescape: The Promise of an Ecological Turn in the Practice of Soundscape Studies Abstract
Srđan Atanasovski
 
Vol 51, No 1 (2015) Richard Wagner’s Reforms of the Opera and Music Drama Abstract
Ivan Klemenčič
 
Vol 38, No 1 (2002) RISM in Slovenia Abstract   PDF (Slovenščina)
Ivan Klemenčič
 
Vol 48, No 2 (2012) Risto Savin and Slovene Identity: the Journey to Lepa Vida Abstract
Niall O'Loughlin
 
Vol 48, No 2 (2012) Risto Savin’s Male and Mixed Choruses Abstract
Tjaša Ribizel
 
Vol 48, No 2 (2012) Risto Savin’s Operas Abstract
Borut Smrekar
 
Vol 48, No 2 (2012) Risto Savin’s Orchestral Works Abstract
Matjaž Barbo
 
Vol 48, No 2 (2012) Risto Savin’s Piano Works Abstract
Jernej Weiss
 
Vol 48, No 2 (2012) Risto Savin’s Works for Children’s and Youth Choirs Abstract
Špela Lah
 
Vol 45, No 1 (2009) Romanticism as a Period of Musical History - between Rootedness and Uncertainty Abstract   PDF (Slovenščina)
Katarina Bogunović Hočevar
 
Vol 1, No 1 (1965) Rossini's Operas in the Ljubljana Theater Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 50, No 2 (2014) Sacral Rituality and Mysticism in the Service of the Awakening of National Identity. Baltic-Balkan Parallels in the Works of B. Kutavičius, L. Lebič and V. Tormis Abstract
Gregor Pompe
 
Vol 50, No 2 (2014) Sacred Music – a Forbidden Fruit: Musical and Non-musical Ways of Survival Abstract
Jūlija Jonāne
 
Vol 42, No 2 (2006) Same Compositional Traits Concerning a Selected Sample of Slovene Romantic Songs Abstract   PDF (Slovenščina)
Andrej Misson
 
Vol 48, No 2 (2012) Savin’s Musical Biography and Extracts from His Correspondence Abstract
Suzana Ograjenšek
 
Vol 6, No 1 (1970) Scansion in the Folk Song Abstract   PDF (Slovenščina)
Zmaga Kumer
 
Vol 33, No 1 (1997) Schubert: A Classicist and a Romanticist? Abstract   PDF (Slovenščina)
Arnold Feil
 
Vol 50, No 2 (2014) Secular and Sacred in the Second Half of the Sixteenth Century: The Case of Masses Nasce la pena mia of Bartolomeo Spontone and Costanzo Antegnati Abstract
Klemen Grabnar
 
Vol 22, No 1 (1986) Serbian Folk Music – Songs and Singing as an Expression of Musical Conceptualization Abstract   PDF (Slovenščina)
Radmila Petrović
 
Vol 42, No 2 (2006) Serbian Romantic Lied as Intersection of the Austro-Hungarian and Serbian (con)texts Abstract   PDF
Tatjana Marković
 
Vol 4, No 1 (1968) Serbian Themes in Russian Music of the Second Half of the 19th Century Abstract   PDF (Slovenščina)
Marija Koren
 
Vol 43, No 2 (2007) Sighs in Advancing Years – Petrarch, Vinci, Wert and Marenzio Abstract   PDF (Slovenščina)
Bojan Bujić
 
Vol 43, No 2 (2007) Silence As a Hermeneutic Oasis of Music Abstract   PDF (Slovenščina)
Mirjana Veselinović-Hofman
 
Vol 50, No 1 (2014) Singer-Songwriters in Slovenia: An Ethnomusicological Study Abstract
Teja Klobčar
 
Vol 32, No 1 (1996) Six Masses by Venčeslav Wratny Abstract   PDF (Slovenščina)
Aleš Nagode
 
Vol 5, No 1 (1969) Slavko Osterc (A Contribution to his Biography) Abstract
Danilo Pokorn
 
Vol 31, No 1 (1995) Slavko Osterc and His Time Abstract   PDF (Slovenščina)
Katarina Bedina
 
Vol 31, No 1 (1995) Slavko Osterc as a Myth of the Avantgarde of the Sixties Abstract   PDF (Slovenščina)
Matjaž Barbo
 
Vol 31, No 1 (1995) Slavko Osterc Between Neoclassicism and Expressionism Abstract   PDF (Slovenščina)
Ivan Klemenčič
 
Vol 31, No 1 (1995) Slavko Osterc in Maribor Abstract   PDF (Slovenščina)
Manica Špendal
 
Vol 31, No 1 (1995) Slavko Osterc On Music and Musicians - Bibliography Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 20, No 1 (1984) Slavko Osterc – An Expressionist? Abstract   PDF
Andrej Rijavec
 
Vol 5, No 1 (1969) Slavko Osterc's Compositional Style and Technique in the Chamber Music Composed before his Departure for Prague Abstract
Andrej Rijavec
 
Vol 26, No 1 (1990) Slovene Music During the National Liberation Struggle Abstract   PDF (Slovenščina)
Franc Križnar
 
Vol 45, No 1 (2009) Slovene Music in the later 20th and early 21st centuries: an External Perspective Abstract   PDF (Slovenščina)
Niall O'Loughlin
 
Vol 18, No 1 (1982) Slovene Musicians in Franjo Kuhač's Biographical and Musicographical Lexicon Abstract   PDF (Slovenščina)
Dubravka Franković
 
Vol 1, No 1 (1965) Slovene Musicians in the Ferdinandeum of Graz Abstract   PDF (Slovenščina)
Primož Kuret
 
Vol 15, No 1 (1979) Slovene Organ Builders in Croatia Abstract   PDF (Hrvatski)
Ladislav Šaban
 
Vol 2, No 1 (1966) Slovene Piano Music Abstract   PDF (Slovenščina)
Marijan Lipovšek
 
Vol 46, No 1 (2010) Slovene Solo Literature for Oboe Details   PDF (Slovenščina)
Anja Gral
 
Vol 29, No 1 (1993) "Slovene Spirit" as a Poetic Category Abstract   PDF (Slovenščina)
Matjaž Barbo
 
Vol 46, No 2 (2010) Slovene-German Symbiosis in Regional Theatre in Ljubljana between 1892 and 1914 Abstract   PDF (Slovenščina)
Špela Lah
 
Vol 39, No 1 (2003) Slovenian Music between the European and the Original Abstract   PDF (Slovenščina)
Ivan Klemenčič
 
Vol 40, No 1&2 (2004) Slovenian Music in its Central European Context: the 20th-century experience Abstract   PDF
Niall O'Loughlin
 
Vol 46, No 2 (2010) Slovenian Musical Identity within that of Central Europe Abstract   PDF (Slovenščina)
Ivan Klemenčič
 
Vol 40, No 1&2 (2004) Slowenische bildende Kunst und ihre Einbindung in den mitteleuropäischen Raum Abstract   PDF (Deutsch)
Damjan Prelovšek
 
Vol 48, No 1 (2012) Slowenische Musik als Bestandteil der Musikkultur der Wiener Slawen in den Jahren 1840–1870 Abstract
Viktor Velek
 
Vol 40, No 1&2 (2004) Slowenische Musik als Teil der mitteleuropäischen Abstract   PDF (Deutsch)
Ivan Klemenčič
 
Vol 48, No 1 (2012) Social, professional, and artistic interactions in the history of the Society of Slovene Composers Details
Sonja Kralj Bervar
 
Vol 2, No 1 (1966) Sociology of Music and Musicology Abstract   PDF (Slovenščina)
Ivo Supičić
 
Vol 49, No 1 (2013) Soloists in concerts of the Philharmonic Society up to 1872 Abstract
Sara Železnik
 
Vol 13, No 1 (1977) Some Aspects of Benjamin Ipavec's Lieder Abstract   PDF (Slovenščina)
Manica Špendal
 
Vol 29, No 1 (1993) Some Aspects of Topical and of Dynamic Values in Music Abstract   PDF (Slovenščina)
Nataša Kričevcov
 
Vol 15, No 1 (1979) Some Characteristics of Anton Lajovic's Lieder Abstract   PDF (Slovenščina)
Monika Kartin-Duh
 
Vol 12, No 1 (1976) Some Characteristics of L. M. Škerjanc's Fourth Symphony Abstract   PDF (Slovenščina)
Monika Kartin
 
Vol 8, No 1 (1972) Some Early Examples of Italian »Dialogo«. A Contribution to the Question of Renaissance Polychoral Composition Abstract   PDF (Slovenščina)
Janez Höfler
 
Vol 45, No 1 (2009) Some issues of studying the activities of Czech musicians in Serbia in the 19th century Abstract   PDF (Slovenščina)
Milica Gajić
 
Vol 7, No 1 (1971) Some Special Characteristics in the Vocal Melodics of Vatroslav Lisinski. A Contribution to the Analysis of the Composer's Style Abstract   PDF (Slovenščina)
Koraljka Kos
 
Vol 9, No 1 (1973) Sound as Material or the Sign and Meaning of Music Abstract   PDF (Slovenščina)
Ivo Supičić
 
Vol 52, No 2 (2016): Marking the 70th Anniversary of ICTM and 20th Anniversary of CES Folk Slovenia. Music, Sound and Ecology Sounding the Alarm: An Introduction to Ecological Sound Art Abstract
Jonathan Gilmurray
 
Vol 25, No 1 (1989) Sources of Inspiration for „Ohridska legenda“ by Stevan Hristić Abstract   PDF (Hrvatski)
Nadežda Mosusova
 
Vol 4, No 1 (1968) South Slav Music in the History of European Music Abstract   PDF (Slovenščina)
Dragotin Cvetko
 
Vol 39, No 1 (2003) Space, Relations and Circumstances Abstract   PDF (Slovenščina)
Borut Loparnik
 
Vol 13, No 1 (1977) Sprache in der tschechischen Neuen Musik Abstract   PDF (Deutsch)
Jarmila Doubravová
 
Vol 39, No 1 (2003) Srečko Koporc's Theoretical Writings on Music Abstract   PDF (Slovenščina)
Urška Šramel
 
Vol 48, No 1 (2012) Stevan Stojanović Mokranjac and Producing the Image of Serbian Folk-Song: Garlands from »Old Serbia« as a Form of Musical Travelogue Abstract
Srđan Atanasovski
 
Vol 46, No 1 (2010) Stevan Stojanović Mokranjac and the inventing of tradition: a case study of the Song 'Cvekje Cafnalo' Abstract   PDF (Slovenščina)
Katarina Tomašević
 
Vol 43, No 2 (2007) Stravinsky and Russian Music of the 20th Century Abstract   PDF (Deutsch)
Svetlana Savenko Savenko
 
Vol 10, No 1 (1974) Structure and Prolongation: Tonal and Serial Organization in the "Introduction" of Schoenberg's Variations for Orchestra Abstract   PDF
Kenneth L. Hicken
 
Vol 19, No 1 (1983) Stylistic Orientation of Protestant Music in Slovenia Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 43, No 2 (2007) Suite for Small Orchestra (1932) by Demetrij Žebre Between the “Old” and the “New” Structural Idioms Abstract   PDF (Slovenščina)
Karmen Salmič Kovačič
 
Vol 46, No 1 (2010) Surrealism in Creativness of Vinko Globokar: in the case of composition Zlom Abstract   PDF (Slovenščina)
Tjaša Ribizel
 
Vol 38, No 1 (2002) Symphonic Works of Lojze Lebič Abstract   PDF (Slovenščina)
Gregor Pompe
 
Vol 8, No 1 (1972) Symposium Ljubljana 11. –13. 5. 1971 Abstract   PDF (Slovenščina)
Albrecht Riethmüller
 
Vol 28, No 1 (1992) Tartini and Combination Tones Abstract   PDF (Slovenščina)
Bruno Ravnikar
 
Vol 28, No 1 (1992) Tartini's Understanding of Music between "Logic" and Aesthetics Abstract   PDF (Slovenščina)
Marija Bergamo
 
Vol 43, No 2 (2007) Telemachia Abstract   PDF (Slovenščina)
Dalibor Davidović
 
Vol 9, No 1 (1973) The 18th Century Slovene Hymn Abstract   PDF (Slovenščina)
Janez Höfler
 
Vol 19, No 1 (1983) The 1901-1902 Jubilee Concert Season of the Ljubljana Philharmonic Society Abstract   PDF (Slovenščina)
Primož Kuret
 
Vol 37, No 1 (2001) The 500th anniversary of the first music printing: a history of patronage and taste in the early years Abstract   PDF
Stanley Boorman
 
Vol 52, No 1 (2016) The Acoustic Properties of Timpani and their Connection with the Instrumental Practice Abstract
Andraž Poljanec
 
Vol 5, No 1 (1969) The Aesthetic of Stjepan Šulek (A Synthetic Survey of his Basic Conceptions) Abstract   PDF (Slovenščina)
Ivo Supičić
 
Vol 43, No 1 (2007) The Aesthetic of the Fragment as a Key to Understanding Schumann's Hausmusik Abstract   PDF (Slovenščina)
Katarina Bogunović Hočevar
 
Vol 44, No 2 (2008) The Aggregate or Have the Notes Lost Orientation? Abstract   PDF
Miloš Zatkalik
 
Vol 2, No 1 (1966) The Baroque and the Composers of the Twentieth Century Abstract   PDF (Slovenščina)
Halsey Stevens
 
Vol 17, No 2 (1981) The Beginnings of Polyphony in Serbian Church Music Abstract   PDF (Hrvatski)
Danica Petrović
 
Vol 43, No 2 (2007) The Beginnings of the Cecilian Movement in Slovenia as Witnessed by the Correspondence between Anton Foerster and Franz Xaver Witt Abstract   PDF (Slovenščina)
Aleš Nagode
 
Vol 17, No 2 (1981) The Beginnings of the Development of Professional Musical Activities in Bosnia and Herzegovina Abstract   PDF (Hrvatski)
Zija Kučukalić
 
Vol 42, No 2 (2006) The Beginnings of the Solo Song as an Artistic Genre in Croatia Abstract   PDF (Hrvatski)
Koraljka Kos
 
Vol 7, No 1 (1971) The Carl Meyer Theatre Company in Maribor Abstract   PDF (Slovenščina)
Manica Špendal
 
Vol 24, No 1 (1988) The Cataclysm of the Avant-Garde between the Normativeness of Social Realism and the National Identity of Slovene Music Abstract   PDF (Slovenščina)
Cvetka Bevc
 
Vol 35, No 1 (1999) The Catalogue of Works by Composer Primož Ramovš Abstract   PDF (Slovenščina)
Zoran Krstulović
 
Vol 35, No 1 (1999) The Characteristics of Compositional Technique of L. F. Schwerdt with a Special Consideration of His Masses Abstract   PDF (Slovenščina)
Zoran Krstulović
 
Vol 47, No 1 (2011) The Chorale Preludes of Johann Pachelbel : Research Issues Regarding Pachelbel’s Chorale Preludes Abstract   PDF (Slovenščina)
Polona Miklavc
 
Vol 51, No 1 (2015) The Chronicle of the Ljubljana Philharmonic Society from 1899 till 1907 Abstract
Primož Kuret
 
Vol 46, No 2 (2010) The "Classic" of the 20th Century Music - The Question of Modern and Traditional in the Works of Uroš Krek Abstract   PDF (Slovenščina)
Gregor Pompe
 
Vol 47, No 1 (2011) The Closeness into the composition blizu (near) from Urška Pompe Abstract   PDF (Slovenščina)
Larisa Vrhunc
 
Vol 6, No 1 (1970) The Collection of German Songs from the Year 1593 by Wolfgang Striccius Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 5, No 1 (1969) The Collection »Neue Teutsche Lieder« (Nürnberg 1588) of Wolfgang Striccius Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 31, No 1 (1995) The Compositional Idiom of Slavko Osterc's Symphony in C Major ("Ideals") Abstract   PDF (Slovenščina)
Zoran Krstulović
 
Vol 38, No 1 (2002) The Compositional Technique in G. Krek's Piano Works Abstract   PDF (Slovenščina)
Špela Tršinar
 
Vol 38, No 1 (2002) The Comprehension of Musical Time in Jewish-Cristian Tradition Abstract   PDF (Slovenščina)
Matjaž Barbo
 
Vol 9, No 1 (1973) The Contemporary Slovene String Quartet Abstract   PDF (Slovenščina)
Andrej Rijavec
 
Vol 30, No 1 (1994) The Cultural Pulse of Koper at the Time of Antonio Tarsia Abstract   PDF (Slovenščina)
Salvator Žitko
 
Vol 13, No 1 (1977) The Current State in Slovene Musicology Abstract   PDF (Slovenščina)
Dragotin Cvetko
 
Vol 5, No 1 (1969) The Development and Achievements of the Serbian Romantic Lied Abstract
Zija Kučukalić
 
Vol 6, No 1 (1970) The Development and Forms of the Glagolitic Chant in Northern Dalmatia Abstract   PDF (Slovenščina)
Jerko Bezić
 
Vol 17, No 2 (1981) The Development and Results of Musical Historiography in Slovenia Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 42, No 1 (2006) The Development of the German Lied between 1782 and 1878: Ten Settings of Goethe’s Ballad Erlkönig Abstract   PDF (Slovenščina)
Matjaž Matošec
 
Vol 48, No 1 (2012) The development of violinsm in the Slovene lands until the beginning of the Second World War Details
Maruša Zaupančič
 
Vol 50, No 2 (2014) The Dionysian signs in Richard Wagner's Tannhäuser Abstract
Sanna Iitti
 
Vol 2, No 1 (1966) The Dramatic and Musical Scheme of Kogoj's Opera »Kar hočete« ( »Twelfth Night« ) Abstract   PDF (Slovenščina)
Borut Loparnik
 
Vol 49, No 2 (2013) The End of the “Grand Narrative”? Understanding Slovenian Church Music of the Late 19th and Early 20th Century Abstract
Aleš Nagode
 
Vol 46, No 2 (2010) The Essay Genre in Serbian Musicography of the First Half of the 20th Century: The Case of the Serbian Literary Magazine Abstract   PDF (Slovenščina)
Aleksandar Vasić
 
Vol 33, No 1 (1997) The Evolution of Style and Content in Performance Practices of Persian Traditional Music Abstract   PDF
Hormoz Farhat
 
Vol 42, No 1 (2006) The expressivness of musical flow and postmodernism Abstract   PDF (Slovenščina)
Gregor Pompe
 
Vol 19, No 1 (1983) The Fifth Symphony of Lucijan Marija Škerjanc Abstract   PDF (Slovenščina)
Monika Kartin-Duh
 
Vol 41, No 1 (2005) The forgotten correspondence between two friends: Leoš Janáček (1854-1928) and Emerik Beran (1868-1940) Abstract   PDF
Jernej Weiss
 
Vol 28, No 1 (1992) The Fundamentals of Articulation, Declamation and Performing Practice in the Mid-18th Century Abstract   PDF (Slovenščina)
Tomaž Faganel
 
Vol 51, No 1 (2015) The Genesis of the Opera Gorenjski slavček Abstract
Gregor Pompe
 
Vol 36, No 1 (2000) The Hidden Programme of Mahler's Seventh Symphony Abstract   PDF
Niall O'Loughlin
 
Vol 12, No 1 (1976) The Identity and Infancy of Marij Kogoj Abstract   PDF (Slovenščina)
Pavle Merkù
 
Vol 15, No 1 (1979) The Incidental Music of Demetrij Žebre Abstract   PDF (Slovenščina)
Milena Židanik
 
Vol 7, No 1 (1971) The Influence of Folkloric Elements on the Structure of Romanticism in Serbian Music Abstract   PDF (Slovenščina)
Nadežda Mosusova
 
Vol 49, No 1 (2013) The institutional framework of musical activities in Sarajevo in the period between the two world wars Abstract
Fatima Hadžić
 
Vol 48, No 2 (2012) The Instrumental Chamber Works of Risto Savin in the Context of Chamber Performance and Composition in Slovene Lands from the Beginning of the Nineteenth Century until 1920 Abstract
Maruša Zupančič
 
Vol 32, No 1 (1996) The Interplay of Traditional and New Elements in Post-War Serbian Music Abstract   PDF (Slovenščina)
Melita Milin
 
Vol 52, No 1 (2016) The Joropo in Venezuela’s Musical Modernity: Cultural Capital in José Clemente Laya’s Sonata Venezolana Abstract
Ludim Rebeca Pedroza
 
Vol 3, No 1 (1967) The libretto and Operatic Crises, Past and Present Abstract   PDF (Slovenščina)
Everett Helm
 
Vol 12, No 1 (1976) The Lieder of Kamilo Mašek Abstract   PDF (Slovenščina)
Manica Špendal
 
Vol 10, No 1 (1974) The Lieder of Petar Konjović Abstract   PDF (Slovenščina)
Zijo Kučukalić
 
Vol 7, No 1 (1971) The Lieder of Slavko Osterc up to his Concert in 1925 Abstract   PDF (Slovenščina)
Tomaž Šegula
 
Vol 30, No 1 (1994) The Life and Work of Antonio Tarsia Abstract   PDF (Slovenščina)
Janez Höfler
 
Vol 28, No 1 (1992) The Ljubljana Handwritten Copy of Tractates by Guido of Arezzo Abstract   PDF (Slovenščina)
Jurij Snoj
 
Vol 28, No 1 (1992) The Ljubljana Period of Francesco Pollini and His Family Background Abstract   PDF (Slovenščina)
Ivan Klemenčič
 
Vol 2, No 1 (1966) The Ljubljana Town Musicians Abstract   PDF (Slovenščina)
Andrej Rijavec
 
Vol 35, No 1 (1999) The Makers of Woodwinds in Slovenia and Their Heritage Abstract   PDF (Slovenščina)
Darja Koter
 
Vol 23, No 1 (1987) The Meaning of Mimesis in the Poetics of Gustav Mahler Abstract   PDF (Hrvatski)
Mirjana Veselinović
 
Vol 5, No 1 (1969) The Motets of Jacobus Gallus and the Doctrine of Musical Figures in the first half of the 17th Century Abstract   PDF (Slovenščina)
Hermann J. Busch
 
Vol 44, No 2 (2008) The Movement Order of Mahler’s Sixth Symphony: Musical Considerations Abstract   PDF
Niall O’Loughlin
 
Vol 43, No 2 (2007) The Multiple Directions of the Beginnings of Slovene Opera Creativity Abstract   PDF (Slovenščina)
Matjaž Barbo
 
Vol 38, No 1 (2002) The Music and Manuscript Archives of the New Chords (Novi akordi), 1901–1914 Abstract   PDF (Slovenščina)
Simona Moličnik Šivic
 
Vol 17, No 2 (1981) The Music Chapel of the Ljubljana Cathedral from 1800 to 1810 Abstract
Janez Höfler
 
Vol 25, No 1 (1989) The Music Collection in the Abbot Church of St. Daniel's, Celje Abstract   PDF (Slovenščina)
Danilo Pokorn
 
Vol 18, No 1 (1982) The Music of Franc Šturm Abstract   PDF (Slovenščina)
Katarina Bedina
 
Vol 19, No 1 (1983) The Music of Lojze Lebič Abstract   PDF
Niall O'Loughlin
 
Vol 44, No 2 (2008) The Music of Uroš Krek: Towards a Definition of its Style Abstract   PDF
Niall O’Loughlin
 
Vol 30, No 1 (1994) The Musical Bequest of Antonio Tarsia Abstract   PDF (Slovenščina)
Tomaž Faganel
 
Vol 2, No 1 (1966) The Musical Essay and Musicology in Serbia Abstract   PDF (Slovenščina)
Stana Djurić-Klajn
 
Vol 50, No 2 (2014) The Musical Image of the Eucharistic Congress in Ljubljana in 1935: Between Liturgical Renewal and External Effect Abstract
Peter Grum
 
Vol 49, No 1 (2013) The musical-historical and musical-aesthetic background of the ‘salon music’ phenomenon; exemplified in bourgeois musical practice in Carniola Abstract
Nataša Cigoj Krstulović
 
Vol 39, No 1 (2003) The Musicological Apparatus in Times of Changing Scholarly Models Abstract   PDF (Slovenščina)
Marija Bergamo
 
Vol 38, No 1 (2002) The Musicological Aspect of the Transformation of Latter-Half-Nineteenth-Century Art Songs into Folk Songs Abstract   PDF (Slovenščina)
Urša Šivic
 
Vol 24, No 1 (1988) The Myth of Keywords and Cross-Quotations Abstract   PDF
Jarmila Doubravová
 
Vol 43, No 1 (2007) The Nobility of the Slovene Part of Austrian Lands and its Role in the Life of W. A. Mozart Abstract   PDF (Slovenščina)
Aleš Nagode
 
Vol 49, No 2 (2013) The Old German Folksongs: Tracing a philological Fake Abstract
Nils Grosch
 
Vol 34, No 1 (1998) The Older Cecilian Movement and Gregor Rihar Abstract   PDF (Slovenščina)
Aleš Nagode
 
Vol 46, No 2 (2010) The opera and concert singer Amalie Schneeweiss-Joachim (1839-1899) was born in Maribor Abstract   PDF (Slovenščina)
Manica Špendal
 
Vol 17, No 2 (1981) The Operatic Work of Stanojlo Rajičić Abstract   PDF (Hrvatski)
Nadežda Mosusova
 
Vol 49, No 2 (2013) The organ and „Kunstreligion“ – A Fatal liasion Abstract
Gregor Unterkofler
 
Vol 52, No 1 (2016) The Oxford Handbook of Applied Ethnomusicology Abstract
Jasmina Talam
 
Vol 30, No 1 (1994) The Patrician Family of Tarsia Abstract   PDF (Slovenščina)
Edvilijo Gardina
 
Vol 3, No 1 (1967) The Performances of Mozart's Operas in Ljubljana before 1861 Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 28, No 1 (1992) The Phenomenon of Baroque Music in Slovenia Abstract   PDF (Slovenščina)
Katarina Bedina
 
Vol 41, No 1 (2005) The piano Opus of Janez Matičič until 1960 Abstract   PDF (Slovenščina)
Aleš Miholič
 
Vol 18, No 1 (1982) The Piano Sonatas of Franc (Francesco) Pollini Abstract   PDF (Slovenščina)
Katarina Bedina
 
Vol 4, No 1 (1968) The Piano Works of Slavko Osterc Abstract   PDF (Slovenščina)
Andrej Rijavec
 
Vol 40, No 1&2 (2004) The Polish Contribution to Central European Musical Culture in the Seventeenth Century. The Case of Marcin Mielczewski Abstract   PDF
Barbara Przybyszewska-Jarmińska
 
Vol 11, No 1 (1975) The Problem of Form in the Work of Ivo Petrić Abstract   PDF (Slovenščina)
Andrej Rijavec
 
Vol 4, No 1 (1968) The Problem of Instrumental and Musical Theatre Abstract   PDF (Slovenščina)
Vinko Globokar
 
Vol 3, No 1 (1967) The Problem of Style as Interpreted by Stanko Vurnik Abstract   PDF (Slovenščina)
Kristijan Ukmar
 
Vol 21, No 1 (1985) The Problem of the Sonata Form in Slovene Piano Music Abstract   PDF (Slovenščina)
Katarina Bedina
 
Vol 3, No 1 (1967) The Provincial Trumpeters in Carniola Abstract   PDF (Slovenščina)
Andrej Rijavec
 
Vol 14, No 1 (1978) The Public Music School in Ljubljana 1816–1875 Abstract   PDF (Slovenščina)
Cvetko Budkovič
 
Vol 38, No 1 (2002) The Reception of Dmitry Shostakovich and His First Symphony in Slovenia (1947–2001) Abstract   PDF (Slovenščina)
Anuša Volovšek
 
Vol 41, No 1 (2005) The reception of Ravnik's musical work in Slovene musical periodic Abstract
Katarina Bogunović Hočevar
 
Vol 2, No 1 (1966) The Reform of Ritual Singing in the Serbian Church at the Beginning of the 13th Century Abstract   PDF (Slovenščina)
Cvjetko Rihtman
 
Vol 7, No 1 (1971) The Relationship between the Particular and the General in Beethoven's Piano Sonatas Abstract   PDF (Slovenščina)
Hellmut Federhofer
 
Vol 47, No 1 (2011) The Relativeness and Function of Historical Interpretation of Music – the Problem Explicated through a Historical analysis of the Fundamenta textbook from Novo mesto Abstract   PDF (Slovenščina)
Radovan Škrjanc
 
Vol 42, No 2 (2006) The Repertoire of the Solo Songs in Slovenia or/and Slovenian Solo Songs in the 19th Century and its Performers in PhonoTheca-Music Archive of the Radio Slovenia Abstract   PDF (Slovenščina)
Franc Križnar
 
Vol 45, No 1 (2009) The Role of Czech Musicians on Musical Culture in Slovenia between 1861 and 1914 Details   PDF (Slovenščina)
Jernej Weiss
 
Vol 42, No 2 (2006) The Role of Music, above all singing in growth of Slovenian national consciousness (until 1848) Abstract   PDF (Slovenščina)
Stane Granda
 
Vol 7, No 1 (1971) The Role of the First Belgrade Choral Society in the Development of Serbian Music Abstract   PDF (Slovenščina)
Dimitrije Stefanović
 
Vol 35, No 1 (1999) The Rondo in Mahler's Middle Period Symphonies: Valid Model or Useful Abstraction Abstract   PDF
Niall O'Loughlin
 
Vol 42, No 2 (2006) The Roots of the Slovene Song Abstract   PDF (Slovenščina)
Matjaž Barbo
 
Vol 50, No 2 (2014) The Rosary and the Rose: Clergymen as Creators of Secular Poetry and Music in Early-modern Balkans Abstract
John Plemmenos
 
Vol 50, No 2 (2014) The Sacralization of Straightedge Punk: Bhakti-yoga, Nada Brahma and the Divine Received: Embodiment of Krishnacore Abstract
Mike Dines
 
Vol 50, No 2 (2014) The Sacred and the Profane in the Organ Music of the Czech Lands in the 19th and 20th Centuries Abstract
Jana Michálková Slimáčková
 
Vol 4, No 1 (1968) The Season 1826/27 in the Ljubljana Theatre Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 43, No 2 (2007) The Semiotic-Semantic Nature of Music Abstract   PDF (Slovenščina)
Gregor Pompe
 
Vol 15, No 1 (1979) The Slovene Romantic Lied – Its Development and Principle Features Abstract   PDF (Slovenščina)
Manica Špendal
 
Vol 24, No 1 (1988) The Slovene String Quartet Abstract   PDF (Slovenščina)
Ivan Klemenčič
 
Vol 50, No 1 (2014) The Slovenian Philharmonic after the Second World War – From Ideology and Professional Disputes to Art Abstract
Katarina Bogunović Hočevar
 
Vol 10, No 1 (1974) "The Song of Hail – 1873" Abstract   PDF (Slovenščina)
Zmaga Kumer
 
Vol 35, No 1 (1999) The Sonorous World of Primož Ramovš (1921-1999) Abstract   PDF (Slovenščina)
Ivan Klemenčič
 
Vol 52, No 2 (2016): Marking the 70th Anniversary of ICTM and 20th Anniversary of CES Folk Slovenia. Music, Sound and Ecology The Soundscape of Change: The Reculturalization of Savamala Abstract
Ivana Medić
 
Vol 38, No 1 (2002) The Structural Function of Texture in Žebre's Composition Towards Liberty Abstract   PDF (Slovenščina)
Karmen Salmič Kovačič
 
Vol 12, No 1 (1976) The Structure of Marij Kogoj's Piano Works Abstract   PDF (Slovenščina)
Ivan Klemenčič
 
Vol 41, No 1 (2005) The Structure of the Musical Theatre Repertoire in the New Regional Theatre (1892-1903) Abstract   PDF (Slovenščina)
Špela Lah
 
Vol 26, No 1 (1990) The Style of Janez Krstnik Dolar's Mass Works Abstract   PDF (Slovenščina)
Tomaž Faganel
 
Vol 10, No 1 (1974) The Stylistic Orientation of Primož Ramovš Abstract   PDF
Andrej Rijavec
 
Vol 49, No 2 (2013) The Symphonic Poem in Slovene Music Abstract
Vesna Venišnik
 
Vol 18, No 1 (1982) The Symphonies of Lucijan M. Škerjanc Abstract   PDF (Slovenščina)
Monika Kartin-Duh
 
Vol 42, No 1 (2006) The Transcription of the Correspondence between Leoš Janáček (1854-1928) and Emerik Beran (1868-1940) Abstract   PDF
Jernej Weiss
 
Vol 41, No 2 (2005) The Truth – In Music. The Sound of Différance Abstract   PDF
Geraldine Geraldine
 
Vol 3, No 1 (1967) The views of Slavko Osterc on Musical Tradition and Musical Nationalism Abstract
Katarina Bedina
 
Vol 48, No 1 (2012) The "Villanelle alla napolitana" by Giacomo Gorzanis and his role in the dissemination of villanellas from Italy to Carniola and the neighbouring Austrian lands Details
Alenka Bagarič
 
Vol 43, No 2 (2007) The Visual and Auditory Representation of Space and the Net-Space Abstract   PDF (Slovenščina)
Werner Jauk
 
Vol 50, No 2 (2014) The Word is not Enough: Symbol, Myth, and Ritual in Hofmannsthal’s Libretto for Arabella Abstract
Marc Brooks
 
Vol 14, No 1 (1978) The Works of Stefan the Serb in Byzantine Music Manuscripts of the 15th and 16th Centuries Abstract   PDF
Dimitrije Stefanović
 
Vol 36, No 1 (2000) The Writing of Stanko Premrl – Between the Cecilian Movement and Modernism Abstract   PDF (Slovenščina)
Aleš Nagode
 
Vol 31, No 1 (1995) The Youth Choruses of Slavko Osterc Abstract   PDF (Slovenščina)
Darja Frelih
 
Vol 14, No 1 (1978) The »FLORES JESSAEI« Collection by Daniel Lagkhner (Lackner) Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 12, No 1 (1976) The »Florum Jessaeorum« Collection (Nürnberg 1607) of Daniel Lagkhner Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 14, No 1 (1978) Thematic Structure in Josip Slavenski's First String Quartet Abstract   PDF (Hrvatski)
Bojan Bujić
 
Vol 22, No 1 (1986) Theodor Elze, a Student of Trubar's Life and Work, as a Composer Abstract   PDF (Slovenščina)
Primož Kuret
 
Vol 46, No 1 (2010) Therapeutics aspects of music education: the role of Bach flower dances in the development of positive emotional states at seven and eight year old primary-school pupils Abstract   PDF (Slovenščina)
Albinca Pesek
 
Vol 51, No 1 (2015) Three Syntheses of Križman’s Pipe Organ [At 220th anniversary of the death] Abstract
Edo Škulj
 
Vol 2, No 1 (1966) Tomaso Cecchini's Third Book of Madrigals »Amorosi Concetti« Abstract   PDF (Slovenščina)
Bojan Bujić
 
Vol 41, No 1 (2005) Tone Systems in Slovene Folk Music Abstract   PDF (Slovenščina)
Ivan Lešnik
 
Vol 50, No 1 (2014) Towards Liberty at the Intersection between Socialist Realism and Moderate Modernism Abstract
Karmen Salmič Kovačič
 
Vol 14, No 1 (1978) Towards the Identity and Infancy of Marij Kogoj Abstract   PDF (Slovenščina)
Ivan Klemenčič
 
Vol 52, No 2 (2016): Marking the 70th Anniversary of ICTM and 20th Anniversary of CES Folk Slovenia. Music, Sound and Ecology Traditional Music as the Sound of Space: Examples from Bosnia and Herzegovina Abstract
Amra Toska
 
Vol 40, No 1&2 (2004) Tschechische musikalische Identität in mitteleuropäischem Kontext am Anfang des 21. Jahrhunderts Abstract   PDF (Deutsch)
Milan Slavický
 
Vol 24, No 1 (1988) Two 15th-century Sheets of Binchois's and Anonymous Music in Ljubljana's National and University Library Abstract   PDF (Slovenščina)
Jurij Snoj
 
Vol 39, No 1 (2003) Two Collections of Lute Compositions by Giacomo Gorzanis, Dedicated to the Carniolan Nobility Abstract   PDF (Slovenščina)
Alenka Bagarič
 
Vol 43, No 2 (2007) Two Letters of Franc Šturm Abstract   PDF (Slovenščina)
Katarina Bedina
 
Vol 17, No 1 (1981) Two Works of the Neue Musik Composed on the Languages of Ancient Cultures Abstract   PDF
Jarmila Doubravová
 
Vol 10, No 1 (1974) Typical Features of Some Melodic Structures in the Vocal Melodics of Janáček's Opera "The Makropulos Affair" Abstract   PDF (Slovenščina)
Miloš Štědroň
 
Vol 17, No 1 (1981) Über neue handschriftlich überlieferte Lautentabulaturen Abstract   PDF (Deutsch)
Wolfgang Boetticher
 
Vol 17, No 1 (1981) Überlegungen zur Geschichte der Musikhistoriographie Abstract   PDF (Deutsch)
Heinz Alfred Brockhaus
 
Vol 40, No 1&2 (2004) Übernationales und nationales in der Musik Abstract   PDF (Deutsch)
Ivan Florjanc
 
Vol 14, No 1 (1978) Ukranian Melodies in the Serbian Monastery of Krka (Dalmatia) Abstract   PDF
Danica Petrović
 
Vol 45, No 2 (2009) Unheimlich bewegt Ein 'unheimlicher' Diskurs in Gustav Mahlers Humoresken aus 'Des Knaben Wunderhorn' Abstract   PDF (Slovenščina)
Beat A. Föllmi
 
Vol 17, No 1 (1981) Unknown Comments of Leoš Janáček on His Opera »Káta Kabanová« Abstract   PDF (Hrvatski)
Dragan Plamenac
 
Vol 44, No 2 (2008) Uroš Krek: Creative Concepts and Legacy Abstract   PDF
Leon Stefanija
 
Vol 7, No 1 (1971) -V- Abstract   PDF (Slovenščina)
Zmaga Kumer
 
Vol 25, No 1 (1989) Variation as the Compositional Principle of Franc Pollini Abstract   PDF (Slovenščina)
Ivan Klemenčič
 
Vol 17, No 2 (1981) Various Layers of Musical Iconographic Sources in Yugoslavia Abstract   PDF (Hrvatski)
Koraljka Kos
 
Vol 50, No 1 (2014) Verdis Opern und der Risorgimento Abstract
Michael Walter
 
Vol 29, No 1 (1993) Viktor Parma - Points of Departure for Research Abstract   PDF (Slovenščina)
Darja Frelih
 
Vol 45, No 1 (2009) Viktor Parma's Golghorn - between opera and music drama Abstract   PDF (Slovenščina)
Gregor Pompe
 
Vol 50, No 1 (2014) Vinko Globokar’s Balkan Requiem Abstract
Niall O’Loughlin
 
Vol 49, No 2 (2013) Vítězslav Novák in the Context of Czech Music as a Whole: Thoughts about the Composer’s Fate Abstract
Lubomír Spurný
 
Vol 25, No 1 (1989) Vocal Lyricism of Vatroslav Lisinski and Ferdo Livadić in Europe's Context Abstract   PDF (Hrvatski)
Koraljka Kos
 
Vol 47, No 2 (2011) Vorwort Details   PDF (Slovenščina)
Dalibor Miklavčič
 
Vol 40, No 1&2 (2004) Vorwort – Begrüßung – Aussprache Abstract   PDF (Deutsch)
Ivan Klemenčič in Kajetan Gantar
 
Vol 49, No 2 (2013) Wagner on Ljubljana’s Concert and Opera Stages Abstract
Jernej Weiss
 
Vol 40, No 1&2 (2004) Warschau und seine musikalische Identität in der ersten Hälfte des 18. Jahrhundert (die so genannten Sachsenzeiten) Abstract   PDF (Deutsch)
Alina Żórawska-Witkowska
 
Vol 17, No 1 (1981) Was ist ein Generalbaß-Satz? Abstract   PDF (Deutsch)
Hellmut Federhofer
 
Vol 21, No 1 (1985) Wechselseitige Beziehungen zwischen Musik und Gesellschaft Abstract   PDF (Deutsch)
Dragotin Cvetko
 
Vol 27, No 1 (1991) Western Musical Influences in Persia Abstract   PDF
Hormoz Farhat
 
Vol 51, No 2 (2015) What Are the Great Discoveries of Your Field? Informal Comments on the Contributions of Ethnomusicology Abstract
Bruno Nettl
 
Vol 43, No 1 (2007) What is English music? The Twentieth Century Experience Abstract   PDF
Niall O'Loughlin
 
Vol 42, No 1 (2006) What’s the Score? Interpreting Transcriptions of the Fisk Jubilee Spirituals Abstract   PDF
Sandra Graham
 
Vol 46, No 1 (2010) Works of Russian scholars of the 15th to 20th centuries in the field of notation Abstract   PDF (Slovenščina)
Nina Zakharina
 
Vol 21, No 1 (1985) "Za špitalom nekdo hodi..." - Contribution to the Topic of Interethnic Relations in Folk Tradition Abstract   PDF (Slovenščina)
Zmaga Kumer
 
Vol 12, No 1 (1976) Zgodovinska periodizacija češkega glasbenega baroka Abstract   PDF (Deutsch)
Jan Racek
 
Vol 13, No 1 (1977) Zu Beethovens Brief an die unsterbliche Geliebte (Psychologische und medizinische Aspekte) Abstract   PDF (Deutsch)
Vlastimil Čermák
 
Vol 9, No 1 (1973) Zum Begriff des Rokokostils in der Musik Abstract   PDF (Deutsch)
Rudolf Pečman
 
Vol 9, No 1 (1973) Zum Problem der letzten Streichquartette Beethovens Abstract   PDF (Deutsch)
Wolfgang Boetticher
 
Vol 11, No 1 (1975) Zur Genesis der Gattung Lied wie sie Franz Schubert definiert hat Abstract   PDF (Deutsch)
Arnold Feil
 
Vol 13, No 1 (1977) Zur Herkunft der Polonaise BWV Anhang 130 Abstract   PDF (Deutsch)
Karl-Heinz Viertel
 
Vol 47, No 2 (2011) Zur Problematik von Zusammenhang und Disparität zwischen Orgelrepertoire, Improvisation und Ensemble-Intonation Abstract   PDF (Slovenščina)
Ibo Ortgies
 
Vol 17, No 1 (1981) Zwei Bergamascas vom Ende des 17. Jahrhunderts Abstract   PDF (Deutsch)
Jaroslav Bužga
 
Vol 36, No 1 (2000) »... however, it is necessary to cultivate our garden« Regarding Domestic Musicology Abstract   PDF (Slovenščina)
Dalibor Davidović
 
Vol 48, No 1 (2012) »Amico, hai vinto: io ti perdon.« Agonal Elements in the Depiction of War in Monteverdi’s Eighth Book of Madrigals Abstract
Pavel Sýkora
 
Vol 7, No 1 (1971) »Ecce, quomodo moritur justus« by J. Gallus, M. A. Ingegneri and O. di Lasso Abstract   PDF (Slovenščina)
Jože Sivec
 
Vol 3, No 1 (1967) »Po polju že rožce cvetejo …« – A Contribution to the Research of Interethnical Influences in Folk-Song Abstract   PDF (Slovenščina)
Zmaga Kumer
 
Vol 2, No 1 (1966) »Šmarijski šomašter« Abstract   PDF (Slovenščina)
Zmaga Kumer
 
Vol 4, No 1 (1968) »Unmarried Mother« by Prešeren as a Folk-Song Abstract   PDF (Slovenščina)
Zmaga Kumer
 
Vol 44, No 2 (2008) »Ustvarjalni duh metafizične naravnanosti« Abstract   PDF
Marija Bergamo
 
Vol 1, No 1 (1965) »Vti vishi kakor ta odsgoraj« Abstract   PDF (Slovenščina)
Zmaga Kumer
 
Vol 42, No 2 (2006) ‘Romantic Lied’ in the 19th Century Slovene Compositional Creativity Abstract   PDF (Slovenščina)
Aleš Nagode
 
Vol 50, No 2 (2014) ‚Die Dinge stets sich selbst folgen lassen‘ – Klang und Perzeption bei Giacinto Scelsi Abstract
Elfride Reissig
 
Vol 51, No 1 (2015) “As Boethius says …”: Zarlino’s Harmonic Institutions and Boethius’ Fundamentals of Music Abstract
Nejc Sukljan
 
Vol 44, No 1 (2008) “But what if they call the police?” Applied Ethnomusicology and Urban Activism in the United States Abstract   PDF
Maureen Loughran
 
Vol 52, No 2 (2016): Marking the 70th Anniversary of ICTM and 20th Anniversary of CES Folk Slovenia. Music, Sound and Ecology “Sacred Noise”: The Case of the Ezan in Ljubljana Abstract
Mojca Kovačič
 
Vol 43, No 1 (2007) “Sequamini o socii” or the Merry Musical Company from Carniola and Styria: The First Book of Five-and Six-Part Madrigals by Filippo de Duc (1586) Abstract   PDF (Slovenščina)
Metoda Kokole
 
Vol 47, No 1 (2011) “The Master has Great Trouble, and Patience”: the manuscript compendium on the basic elements of music theory and plainchant singing from Pokrajinski arhiv Koper Abstract   PDF (Slovenščina)
Katarina Šter
 
Vol 43, No 2 (2007) “Unusual, Gentle Sensory Stimuli”: A Psychoanalytical Path to the Early Aesthesis of Hans Werner Henze Abstract   PDF (Slovenščina)
Christian Bielefeldt
 
Vol 43, No 2 (2007) “Unusual, Gentle Sensory Stimuli”: A Psychoanalytical Path to the Early Aesthesis of Hans Werner Henze Abstract   PDF (Slovenščina)
Christian Bielefeldt
 
Vol 43, No 1 (2007) “Verwandlung” by Dora Pejačević as Heard by Arnold Schönberg Abstract   PDF (Hrvatski)
Koraljka Kos
 
Vol 43, No 1 (2007) „Internet Killed the Video Star?” Visual Music between the Theory, Technology, Media and Aesthetics Abstract   PDF (Slovenščina)
Alenka Barber-Keršovan
 
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